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A drawing showing a blacksmith in a dark doorway standing over a workbench.

The primary framing element of this image is an open, dark doorway, through which a workshop is barely visible in shadows. Above the doorway is a round pediment with the base of a window frame. Just outside the doorway, at the bottom left, is either a cat or a dog facing left. A man stands with his head bent over an anvil at a workbench on the threshold of the doorway. He is in long robes and has short hair and a beard.

Identification and Creation

Object Number
M12120
People
James Abbott McNeill Whistler, American (Lowell, MA 1834 - 1903 London, England)
Title
The Smith: Passage du Dragon
Classification
Prints
Work Type
print
Date
1894
Places
Creation Place: North America, United States
Culture
American
Persistent Link
https://hvrd.art/o/262922

Physical Descriptions

Medium
Tranfer lithograph with stumping printed in black ink on white antique laid paper
Technique
Lithograph
Dimensions
sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.)
Inscriptions and Marks
  • Signed: graphite butterfly
  • inscription: lower margin, right, graphite, handwritten, signed, in artist's hand: signature: [butterfly]
  • inscription: verso, lower left corner, graphite, handwritten: dealer/collector inventory number(?) with print authority number:
    a91583/ a39230 es-W 73
  • inscription: verso, center of lower margin, graphite: Smith, Passage du Dragon
  • inscription: verso, lower right corner, graphite: HCH[? illegible]
  • watermark: [V]AN GELDER ZONEN [Van Gelder Zonen, see Stratis 309 (countermark to Fortune Figure, Stratis 151)]
  • inscription: lithpgraphed, on left door: [butterfly]

State, Edition, Standard Reference Number

State
iii/iii
Standard Reference Number
Way 73; Art Institute of Chicago 103

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Edwin de T. Bechtel
Accession Year
1947
Object Number
M12120
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu