Harvard Art Museums > R220NA: Eagle Wharf Prints Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Eagle Wharf (James Abbott McNeill Whistler) , R220NA,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/250190. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number R220NA People James Abbott McNeill Whistler, American (Lowell, MA 1834 - 1903 London, England) Title Eagle Wharf Other Titles Series/Book Title: A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, 1871 Classification Prints Work Type print Date 1859 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/250190 Physical Descriptions Medium Etching and drypoint printed in black ink on off-white Japanese paper Technique Etching and drypoint Dimensions plate: 13.9 × 21.7 cm (5 1/2 × 8 9/16 in.) sheet: 17.4 × 24.7 cm (6 7/8 × 9 3/4 in.) Inscriptions and Marks inscription: lower left corner of sheet, graphite,: Eagle Wharf inscription: below bottom plate line, right of center, graphite: [butterfly] inscription: in foreground, centered, etched: Whistler. 1859. inscription: verso, center of composition, graphite: 220 inscription: verso, lower right corner of plate, graphite{?]: Hx[?] inscription: etched into building facades at upper left: TYZAC. WHITELEY & Co / ['o' underscored'] / W.BROWN./ SAIL MAKER. / SHIP OWNER. Provenance Recorded Ownership History H. Wunderlich and Co., Sold to Fogg Art Museum, 1898. State, Edition, Standard Reference Number State Glasgow only state Standard Reference Number Kennedy 41; Glasow 50 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, John Witt Randall Fund Object Number R220NA Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Emma Chambers, An Indolent and Blundering Art?: The Etching Revival and the Redefinition of Etching in England, 1838-1892, Ashgate Publishing (Aldershot, England, 1999), repr. as fig. 5.5 on p. 138 [not Harvard impression; related bibliography] Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu