R212NA: The Forge
Prints
This object does not yet have a description.
Identification and Creation
- Object Number
- R212NA
- People
-
James Abbott McNeill Whistler, American (Lowell, MA 1834 - 1903 London, England)
- Title
- The Forge
- Other Titles
- Series/Book Title: A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, 1871
- Classification
- Prints
- Work Type
- Date
- 1861
- Places
- Creation Place: North America, United States
- Culture
- American
- Persistent Link
- https://hvrd.art/o/250183
Physical Descriptions
- Medium
- Etching and drypoint printed with considerable selective plate tone in black ink on off-white Japanese paper
- Technique
- Etching and drypoint
- Dimensions
-
plate: 19.5 × 31.8 cm (7 11/16 × 12 1/2 in.)
sheet: 23 × 35.4 cm (9 1/16 × 13 15/16 in.) - Inscriptions and Marks
-
- Signed: in plate: Whistler, 1866; below plate line: butterfly insignia
- inscription: verso, lower left corner, graphite: a26818 [underlined] / 196
- inscription: below bottom plate line, left of center, graphite, handwritten, signed, in artist's hand: Whistler's butterfly insignia + imp.
- inscription: lower right corner, ink, etched: Whistler. / 1866.
- inscription: verso, graphite: 212
- inscription: lower sheet margin just below platemark, graphite: [butterfly] imp.
Provenance
- Recorded Ownership History
-
H. Wunderlich and Co., Sold to Fogg Art Museum, 1898.
State, Edition, Standard Reference Number
- State
- Glasgow vi/vi
- Standard Reference Number
- Kennedy 68; Glasgow 86
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, John Witt Randall Fund
- Object Number
- R212NA
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Michel Melot, The Impressionist Print, Yale University Press (New Haven, CT, 1996), repr. as figs. 37, 38, pp.38-39 [not Harvard Impression; related bibliography]
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu