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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1925.8
People
Master of Charles of Durazzo (Francesco di Michele?), Italian (active 1370-1410)
Title
A Birth Scene (Desco da Parte)
Other Titles
Alternate Title: Birth Salver: Scene of a Birth
Classification
Paintings
Work Type
painting
Date
c. 1410
Places
Creation Place: Europe, Italy, Tuscany, Florence
Culture
Italian
Persistent Link
https://hvrd.art/o/232081

Physical Descriptions

Medium
Tempera on panel
Dimensions
52.8 x 53.4 x 3.1 cm (20 13/16 x 21 x 1 1/4 in.)

Provenance

Recorded Ownership History
[Stefano Bardini, Florence], sold [through his sale, Christie's, May 26-30, 1902, lot 622]; to Deschamps. [1] Henry W. Bliss, gift; to Fogg Art Museum, 1925

Notes
[1] Per 2000 Bardini Collection catalogue

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, The Henry W. Bliss Fund
Accession Year
1925
Object Number
1925.8
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Harvard University Press (Cambridge, MA, 1972), p. 222 [as unidentified Florence, 15th century salver painting]
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), pp. 119, 299, repr. b/w cat. no. 550
  • Cecilia de Carli, I Deschi da Parto e la Pittura del Primo Rinascimento Toscano, Umberto Allemandi & C. (Torino, Italy, 1997), no. 3, p. 68, repr.; pp. 15, 66
  • Everett Fahy, Dipinti, disegni, miniature, stampe, Alberto Bruschi (Florence, Italy, 2000), no. 274, p. 38; repr. in b/w pp. 177, 365 as tav. 14e
  • Marilyn Yalom, A History of the Wife, Harper Collins (US) (New York, 2001), pp. 71-72, repr. in b/w
  • Claudia Daübler-Hauschke, Geburt und Memoria: zum italienischen Bildtyp der deschi da parto, Deutscher Kunstverlag (Münich, Germany, 2003), no. 2, pp. 175-178
  • D. Medina Lasansky, The Renaissance Perfected: Architecture, Spectacle, and Tourism in Fascist Italy, Pennsylvania State University Press (University Park, PA, 2004), p. 345, repr. as figs. 239 (obverse) and 240 (reverse)

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu