Harvard Art Museums > 1922.22: Capital from Moutiers-Saint-Jean Architectural Elements Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Capital from Moutiers-Saint-Jean (Unidentified Artist) , 1922.22,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/231785. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1922.22 People Unidentified Artist Title Capital from Moutiers-Saint-Jean Classification Architectural Elements Work Type architectural element Date c. 1125-1130 Places Creation Place: Europe, France, Moutiers-Saint-Jean Culture French Persistent Link https://hvrd.art/o/231785 Physical Descriptions Medium Limestone Technique Carved Dimensions 64.5 x 64.6 x 63 cm (25 3/8 x 25 7/16 x 24 13/16 in.) Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund Accession Year 1922 Object Number 1922.22 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Arthur Kingsley Porter, "Romanesque Capitals", Fogg Art Museum Notes (1922), pp. 22-36, repr. as fig. 7 Fogg Art Museum Handbook, Fogg Art Museum (Cambridge, MA, 1931), p. 18, repr. Linda Seidel, "Romanesque Sculpture in American Collections: IX: The William Hayes Fogg Art Museum: I: Burgundy", GESTA (1972), vol XI, no. 1, no. 1k, repr. Walter Cahn and Linda Seidel, Romanesque Sculpture in American Collections, volume 1: New England Museums, Burt Franklin & Co., Inc. (New York, NY, 1979), no. 1k, fig. 131 Neil Stratford, "Sculpture Romane Originaire de Moutiers-Saint-Jean", Mémoires de la Commission des Antiquités du Départment de la Côte-d'Or (1980-1981), Tome XXXII, pp. 327-335, p. 327 Jane Hayward and Walter Cahn, Radiance and Reflection: Medieval Art from the Raymond Pitcairn Collection, exh. cat., The Metropolitan Museum of Art (New York, NY, 1982), p. 81 Lore Holmes, Charles Little, and Edward V. Sayre, Elemental Characterization of Medieval Limestone Sculpture from Parisian and Burgundian Sources, Journal of Field Archaeology, Taylor & Francis (Boston: Boston University for the Association of Field Archaeology, Winter 1986), vol. 13, no. 4, pp. 419-438 Elizabeth Bradford Smith, Medieval Art in America: Patterns of Collecting 1800-1940, exh. cat., Palmer Museum of Art (University Park, PA, 1996), p. 176 Christine Smith, ed., Before and After the End of Time: Architecture and the Year 1000, exh. cat., George Braziller (New York, NY, 2000), pp. 38, 52 Kathryn Brush, Vastly More than Brick and Mortar: Reinventing the Fogg Art Museum in the 1920s, Harvard University Art Museums/Yale University Press (Cambridge MA / New Haven, CT, 2003), pp. 54-56 The Limestone Sculpture Provenance Project, website, 2004 Kathryn Brush, "The Capitals from Moutiers-Saint-Jean (Harvard University Art Museums) and the Carving of Medieval Art Study in American after World War I", Medieval Art and Architecture after the Middle Ages, ed. Janet Marquardt and Alyce Jordan, Cambridge Scholars Publishing (Newcastle upon Tyne, United Kingdom, 2009), p. 298; repr. as fig. 4 on p. 300. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
