1928.115: Loulie's Hand
Sculpture
This object does not yet have a description.
Identification and Creation
- Object Number
- 1928.115
- People
-
Hiram Powers, American (Woodstock, NY 1805 - 1873 Florence, Italy)
- Title
- Loulie's Hand
- Other Titles
- Former Title: Luly's Hand
- Classification
- Sculpture
- Work Type
- sculpture
- Date
- 1839
- Places
- Creation Place: North America, United States
- Culture
- American
- Persistent Link
- https://hvrd.art/o/231717
Physical Descriptions
- Medium
- Marble
- Technique
- Carved
- Dimensions
- 7.3 x 14 cm (2 7/8 x 5 1/2 in.)
- Inscriptions and Marks
-
- Signed: on base: H. Powers
Provenance
- Recorded Ownership History
-
Charles Lawrence Peirson; to his nephew James Hardy Ropes; his gift to the Fogg Art Museum, 1928.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Professor James Hardy Ropes
- Accession Year
- 1928
- Object Number
- 1928.115
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Nathaniel Hawthorne, French and Italian Notebooks (Boston, MA, 1873), p. 308
- H. Wade White, "Nineteenth Century American Sculpture at Harvard, a Glance at the Collection", Harvard Library Bulletin (Cambridge, MA, October 1970), vol. XVIII, no. 4, p. 364, pl. XII
- Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 57, ill.
- William H. Gerdts, American Neo-Classic Sculpture: the Marble Resurrection, Viking Press (New York, NY, 1973), p. 141, pl. 175; text p. 140, b/w
- Richard P. Wunder, Hiram Powers: Vermont Sculptor, 1805-1873, Vol. II, University of Delaware Press/ Associated University Presses (Newark DE/London and Toronto, 1991), p. 185, cat. 218, ill.
- John M. Hunisak, Castings, Casts and Replicas: Nineteenth-Century Sculpture from Europe and America in New England Collections, exh. cat., Middlebury College Museum of Art (Middlebury, VT, 1994), reproduced in b/w no. 34, p. 109
- Charles Colbert, "Spiritual Currents and Manifest Destiny in the Art of Hiram Powers", The Art Bulletin, College Art Association of America (New York, NY, September 2000), vol. LXXXII, no. 3, pp. 529-543, p. 533, no. 4
- Laurel Thatcher Ulrich, Ivan Gaskell, Sara Schechner, and Sarah Anne Carter, Tangible Things: Making History through Objects, Oxford University Press (NY) (New York, 2015), p. 29, repr. as fig. 31
- Robert Cozzolino, ed., Supernatural America: The Paranormal in American Art, exh. cat., Minneapolis Institute of Arts (Minneapolis, 2021), pl. 20
- "Weirdness in Minneapolis", Antiques (March - April 2022), p. 26, p. 26, repr.
Exhibition History
- The History of American Sculpture, The Newark Museum, Newark, 05/01/1962 - 10/31/1962
- American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972
- The Extended Hand, University of Kansas Museum of Art, Lawrence, 01/01/1974 - 01/31/1974
- Carvings, Casts, & Replicas: nineteenth-century sculpture from Europe & America in New England collections, Middlebury College Museum of Art, Middlebury, 09/22/1994 - 12/11/1994
- Tangible Things, The Collection of Historical Scientific Instruments, Cambridge, 01/24/2011 - 05/29/2011
- 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 02/11/2015 - 05/10/2015
- Supernatural America: The Paranormal in American Art, Toledo Museum of Art, 06/12/2021 - 09/05/2021; Speed Art Museum, 10/07/2021 - 01/02/2022; Minneapolis Institute of Arts, 02/19/2022 - 05/15/2022
Subjects and Contexts
- Collection Highlights
- Google Art Project
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu