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Identification and Creation

Object Number
1922.20
People
Unidentified Artist
Title
Capital from Moutiers-Saint-Jean, Burgundy; Leaves and scrolls
Classification
Architectural Elements
Work Type
architectural element
Date
c. 1125-1130
Places
Creation Place: Europe, France, Moutiers-Saint-Jean
Culture
French
Persistent Link
https://hvrd.art/o/231638

Physical Descriptions

Medium
Limestone
Technique
Carved
Dimensions
63.4 x 63.5 x 62 cm (24 15/16 x 25 x 24 7/16 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund
Accession Year
1922
Object Number
1922.20
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Arthur Kingsley Porter, "Romanesque Capitals", Fogg Art Museum Notes (1922), pp. 22-36, repr. as fig. 14
  • Linda Seidel, "Romanesque Sculpture in American Collections: IX: The William Hayes Fogg Art Museum: I: Burgundy", GESTA (1972), vol XI, no. 1, no. 1h, repr.
  • Walter Cahn and Linda Seidel, Romanesque Sculpture in American Collections, volume 1: New England Museums, Burt Franklin & Co., Inc. (New York, NY, 1979), no. 1h, fig. 128
  • Neil Stratford, "Sculpture Romane Originaire de Moutiers-Saint-Jean", Mémoires de la Commission des Antiquités du Départment de la Côte-d'Or (1980-1981), Tome XXXII, pp. 327-335, p. 327
  • Jane Hayward and Walter Cahn, Radiance and Reflection: Medieval Art from the Raymond Pitcairn Collection, exh. cat., The Metropolitan Museum of Art (New York, NY, 1982), p. 81
  • Lore Holmes, Charles Little, and Edward V. Sayre, Elemental Characterization of Medieval Limestone Sculpture from Parisian and Burgundian Sources, Journal of Field Archaeology, Taylor & Francis (Boston: Boston University for the Association of Field Archaeology, Winter 1986), vol. 13, no. 4, pp. 419-438
  • Elizabeth Bradford Smith, Medieval Art in America: Patterns of Collecting 1800-1940, exh. cat., Palmer Museum of Art (University Park, PA, 1996), p. 176
  • Christine Smith, ed., Before and After the End of Time: Architecture and the Year 1000, exh. cat., George Braziller (New York, NY, 2000), pp. 38, 52
  • Kathryn Brush, Vastly More than Brick and Mortar: Reinventing the Fogg Art Museum in the 1920s, Harvard University Art Museums/Yale University Press (Cambridge MA / New Haven, CT, 2003), pp. 54-56
  • The Limestone Sculpture Provenance Project, website, 2004
  • Kathryn Brush, "The Capitals from Moutiers-Saint-Jean (Harvard University Art Museums) and the Carving of Medieval Art Study in American after World War I", Medieval Art and Architecture after the Middle Ages, ed. Janet Marquardt and Alyce Jordan, Cambridge Scholars Publishing (Newcastle upon Tyne, United Kingdom, 2009)

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu