Add to Collection

Add this item to an existing or new collection.
Harvard Art Museums
Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1922.65
People
Unidentified Artist
Title
Capital with Ten Apostles with Angels and Christ in Glory
Classification
Architectural Elements
Work Type
architectural element
Date
c. 1140
Places
Creation Place: Europe, France, Herault
Culture
French
Persistent Link
https://hvrd.art/o/231577

Physical Descriptions

Medium
Marble
Dimensions
39 x 34.3 x 38 cm (15 3/8 x 13 1/2 x 14 15/16 in.)

Provenance

Recorded Ownership History
Arthur Kingsley Porter, Cambridge, MA, Gift to the Fogg Art Museum, 1922.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Professor Arthur Kingsley Porter
Accession Year
1922
Object Number
1922.65
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • J. Sahuc, L'Art Roman à Saint-Pons-de-Thomières, Société anonyme de l'Imprimerie générale du Midi (Montpellier, France, 1908), p. 81; repr. as plate K, figs. 3 and 4
  • "America Acquires Romanesque Art", The International Studio (October 1922), vol. LXXVI, no. 305, pp. 37-39, pp. 37-39, repr.
  • Arthur Kingsley Porter, "Romanesque Capitals", Fogg Art Museum Notes (1922), pp. 22-36, p. 33; repr. as figs. 21, 22
  • Arthur Kingsley Porter, "The Avignon Capital", Fogg Art Museum Notes, ed. Margaret E. Gilman (1923), pp. 2-15, pp. 14-15, repr. as figs, 10, 11
  • Arthur Kingsley Porter, Romanesque Sculpture of the Pilgrimage Roads, Marshall Jones Company (Boston, MA, 1923), vol. VIII, p. 339; repr. as pl. 1270
  • Linda Seidel, "Romanesque Capitals from the Vicinity of Narbonne", Gesta (1972), vol. XI, no. 1, pp. 34-45, p. 44, repr. as fig. 24
  • Linda Seidel, "Romanesque Sculpture in American Collections. X: The Fogg Art Museum. II: The Rhône Valley, Provence, Languedoc, Western and Northern France", GESTA (1972), vol. XI, no. 2, pp. 60-61; cat. no. 2c, repr. b/w figs. 6-7
  • Walter Cahn and Linda Seidel, Romanesque Sculpture in American Collections, volume 1: New England Museums, Burt Franklin & Co., Inc. (New York, NY, 1979), no. 17c, figs. 153, 154
  • Charles Little and David L. Simon, "Romanesque Sculpture in North American Collections. XXV. The Metropolitan Museum of Art. Part V. Southwestern France", GESTA (1987), vol. XXVI no. 1, pp. 61-76, p. 69, under no. 8
  • Kathryn Brush, Vastly More than Brick and Mortar: Reinventing the Fogg Art Museum in the 1920s, Harvard University Art Museums/Yale University Press (Cambridge MA / New Haven, CT, 2003), pp. 54-56
  • Leslie Bussis Tait, "In Pursuit of a Lost Cloister Capital from Saint-Pons-de Thomières", Tributes to Adelaide Bennett Hagens: Manuscripts, Iconography, and the Late Medieval Viewer, ed. Pamela A. Patton and Judith K. Golden, Harvey Miller Publishers (London, 2017), pp. 325-334, p. 325, note 4

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu