1936.10.1: Sketch for "To the Charge!"
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1936.10.1
- People
-
William Rimmer, American (Liverpool, England 1816 - 1879 S. Milford, MA)
- Title
- Sketch for "To the Charge!"
- Other Titles
-
Former Title: Battle
Former Title: To the Charge (sketch): The Battle Field
Former Title: Battle Field
Former Title: To the Charge - Classification
- Paintings
- Work Type
- painting
- Date
- 1874
- Places
- Creation Place: North America, United States
- Culture
- American
- Persistent Link
- https://hvrd.art/o/231248
Physical Descriptions
- Medium
- Oil on cardboard
- Dimensions
-
31 x 46.3 cm (12 3/16 x 18 1/4 in.)
framed: 37.8 x 52.7 x 3.8 cm (14 7/8 x 20 3/4 x 1 1/2 in.) - Inscriptions and Marks
-
- Signed: l.r.: W. Rimmer / sketch / 1874
- inscription: verso, at the bottom, pencil, signed, in artist's hand: Battle/W. Rimmer.
Provenance
- Recorded Ownership History
-
From the artist to his daughter, Caroline Hunt Rimmer, at his death, 1879; to her niece Edith Rimmer Durham Simonds, 1918; purchased by the Fogg Art Museum, 1936.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Louise E. Bettens Fund
- Accession Year
- 1936
- Object Number
- 1936.10.1
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- The only extant oil sketch by Rimmer, this work was painted on cardboard and intended as a prelude for a larger painting entitled "To the Charge/Off to the Charge," which has been lost.
Publication History
- Lincoln Kirstein, William Rimmer: 1816-1879, exh. cat., Whitney Museum of American Art (New York, NY, 1946), n.p., no. 22
- Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 78, ill.
- Jeffrey Weidman, "William Rimmer: Critical Catalogue Raisonné" (Thesis, Indiana University, 1981), Indiana University, vol. 1, pp. 669-72, 674; vol. V, p. 1564, no. 78 a-b, ill.
- Jeffrey Weidman, William Rimmer: A Yankee Michelangelo, exh. cat., Brockton Art Museum-Fuller Memorial/University Press of New England (Brockton, MA and Hanover, NH, 1985), pp. 74-75, no. 34, ill. p. 74
- Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), p. 420, cat. 382, ill.
Exhibition History
- William Rimmer: 1816-1879, Whitney Museum of American Art, New York, 11/05/1946 - 11/27/1946; Museum of Fine Arts, Boston, Boston, 01/07/1947 - 02/02/1947
- American Paintings from the Fogg Art Museum, Harvard University, Symphony Hall, Boston, 02/21/1958 - 03/15/1958
- American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972
- William Rimmer: A Yankee Michelangelo, Cleveland Museum of Art, Cleveland, 02/22/1986 - 04/20/1986; Brooklyn Museum of Art, Brooklyn, 06/01/1986 - 07/26/1986
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu