1933.45.A: Study for "Doctrine of the Trinity," Boston Public Library

Identification and Creation

Object Number

1933.45.A

People

John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England)

Title

Study for "Doctrine of the Trinity," Boston Public Library

Classification

Paintings

Work Type

painting

Date

1893 - 1903

Places

Creation Place: North America, United States

Culture

American

Persistent Link

https://hvrd.art/o/231153

Physical Descriptions

Medium

Oil on panel

Dimensions

128.3 x 256.5 x 5.1 cm (50 1/2 x 101 x 2 in.)

Provenance

Recorded Ownership History

To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; their gift to the Fogg Art Museum, 1933.

Acquisition and Rights

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent (through Thomas A. Fox, Esq.)

Accession Year

1933

Object Number

1933.45.A

Division

European and American Art

Contact

am_europeanamerican@harvard.edu

Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

• Exhibition of Works by the Late John S. Sargent, R. A., exh. cat., Royal Academy of Arts (London, England, 1926), no. 612
• Nancy Lloyd, "Reconstruction of Sargent's Scale Model for the Crucifix", Harvard University Art Museums Bulletin (Cambridge, MA, Fall 1999 - Winter 2000), vol. 7, no. 1, pp. 58-66, repr. in color, fig. 14, p. 65 [A, B, and C]; detail repr. fig. 6, p. 60
• Kate Olivier, "Sargent's Scale Model for the 'Trinity' Lunette and the 'Frieze of Angels': Examination and Conservation", Harvard University Art Museums Bulletin (Cambridge, MA, Fall 1999 - Winter 2000), vol. 7, no. 1, pp. 52-57, repr. fig. 1, p. 52; det. of verso, fig. 6, p. 55; det., figs. 9 and 10, p. 56
• [Reproduction only], Harvard University Art Museums Bulletin, (Cambridge, MA, Fall 1999 - Winter 2000)., 1933.45.A and C repr. in color on cover
• Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 313, cat. 333, ill.
• Angela Chang, Glenn Gates, Teri Hensick, Philip Klausmeyer, Miriam Stewart, Kate Olivier, Ruxandra Stoicescu, and Carol Troyen, John Singer Sargent's 'Triumph of Religion' at the Boston Public Library: Creation and Restoration, ed. Narayan Khandekar, Gianfranco Pocobene, and Kate Smith, Harvard Art Museum and Yale University Press (Cambridge/New Haven and London, 2009), p. 144, fig. 6.30
• A Rediscovered Maquette by John Singer Sargent for the Crucifix at the Boston Public Library, auct. cat., Shepherd Gallery (New York, 2017), passim, repr. p. 3
• John Thomas, Redemption Achieved: John Singer Sargent's "Crucifixion of Christ with Adam & Eve" and Its Place in His Work, Twin Books (Wolverhampton, 2017), p. 17

Exhibition History

• Exhibition of Works by the Late John S. Sargent, R.A., Royal Academy of Arts, London, 01/14/1926 - 03/13/1926
• Sargent in the Studio: Drawings, Sketchbooks, and Oil Sketches, Harvard University Art Museums, Cambridge, 06/10/1999 - 09/26/1999

Related Works

• 1933.45.A-F

  John Singer Sargent

  Model for the Boston Public Library, South End

  Paintings

Verification Level