Harvard Art Museums > 1935.33: Structure Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Structure (Lewis W. Rubenstein) , 1935.33,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/231128. This object does not yet have a description. Identification and Creation Object Number 1935.33 People Lewis W. Rubenstein, American (Buffalo, NY 1908 - 2003 Shelburne, VT) Title Structure Classification Paintings Work Type mural painting Date c. 1934-1935 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/231128 Physical Descriptions Medium True fresco Technique Fresco painting Dimensions 365.8 x 304.8 cm (144 x 120 in.) Provenance Recorded Ownership History Lewis W. Rubenstein, commissioned; by Fogg Art Museum, 1934. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Commissioned through the Louise E. Bettens Fund Accession Year 1935 Object Number 1935.33 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Francesca Bewer, A Laboratory for Art: Harvard's Fogg Museum and the Emergence of Conservation in America, 1900-1950, Harvard Art Museum and Yale University Press (U.S.) (Cambridge, MA, 2010), p. 207, fig. 4.31 Louise Orsini, "The Technical Analysis and Treatment of Hunger March by Lewis Rubenstein and Rico Lebrun" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 2010), Unpublished, pp. 1-59 passim Teri Hensick, Tony Sigel, Henry Lie, Narayan Khandekar, Kate Smith, Francesca Bewer, Angela Chang, Louise Orsini, and Erin Mysak, Protection and Relocation of Frescoes During Construction at the Harvard Art Museum, Subliming Surfaces: Volatile Binding Media in Heritage Conservation, ed. Christina Rozeik, University of Cambridge Museums (https://doi.org/10.17863/CAM.41335, 2018), Pages 141-152, Figure 4, Page 143; Figure 6, Page 144 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
