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Terracotta statue of a winged figure with clasped hands.

A tan figure stands on a low base. The have wings that span from head height down to about mid-thigh. The outer upper corner of the right wing is missing. The figure’s head is bent downward, and they appear to be looking at their hands, which are clasped together as if holding something. The rough, impressionistic sculpture style, in which many of the figure’s features are suggested rather than defined, makes it difficult to make out the scourge (whip) in the angel’s hands. The angel wears a long draped garment that wraps over the right leg and behind the left.

Identification and Creation

Object Number
1937.68
People
Gian Lorenzo Bernini, Italian (Naples, Italy 1598 - 1680 Rome, Italy)
Title
Angel with the Scourge
Other Titles
Alternate Title: Standing Angel with Scourge
Classification
Sculpture
Work Type
sculpture
Date
c. 1667-1668
Places
Creation Place: Europe, Italy, Lazio, Rome
Culture
Italian
Persistent Link
https://hvrd.art/o/230500

Location

Location
Level 2, Room 2520, European Art, 17th century
View this object's location on our interactive map

Physical Descriptions

Medium
Terracotta
Dimensions
29.3 x 15.6 x 16.1 cm (11 9/16 x 6 1/8 x 6 5/16 in.)

Provenance

Recorded Ownership History
Giovanni Piancastelli, Rome, Italy, Sold to Mrs. Edward D. Brandegee, 1905. Piancastelli was the curator of the Galleria Borghese.
Mrs. Edward D. (Mary B.) Brandegee, 1905, Sold to Fogg Art Museum, 1937.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing and Friends of the Fogg Art Museum Funds
Accession Year
1937
Object Number
1937.68
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
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Publication History

  • Richard Norton, Bernini and Other Studies in the History of Art, The Macmillan Company (New York, NY, 1914), p. 48 no. 17, pl. XXIIIa
  • Leonard Opdycke, "A Group of Models for Berninesque Sculptures", Bulletin of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, March 1938), vol. VII, no. 2, p. 29
  • "Bernini Bozzetti for America: Sketches by the Baroque Genius for the Fogg Art Museum", Art News, Art News (New York, NY, June 4, 1938), vol. XXXVI, pp. 11-12
  • Hans Gerhard Evers, Die Engelsbrucke in Rom, Verlag Gebr. Mann (Berlin, Germany, 1948), p. 15, abb. 7
  • Irving Lavin, "The Bozzetti of Gianlorenzo Bernini" (PhD diss., Harvard University, 1955), Unpublished, pp. 175-178, 181 f.
  • Howard Hibbard, Bernini, Penguin Books (Baltimore, MD, 1966), p. 202
  • Hans Kauffmann, Giovanni Lorenzo Bernini: Die figurlichen Kompositionen, Gebr. Mann Verlag (Berlin, Germany, 1970), p. 300 fn. 55
  • Mark S. Weil, The History and Decoration of the Ponte S. Angelo, Pennsylvania State University Press (University Park, PA, 1974), p. 48, p. 47 fig. 34, p. 78, pp. 108-09 fn. 28.
  • Irving Lavin, "Calculated Spontaneity: Bernini and the Terracotta Sketch", Apollo (May 1978), vol. CVII, no. 195, pp. 398-405, p. 405 fn. 6
  • Maria Grazia Tolomeo Speranza, "La decorazione del ponte", La Via degli Angeli, ed. Luisa Cardilli Alloisi, De Luca Edizioni d'Arte (Rome, Italy, 1988), p. 60, p. 58 fig. 10
  • Helga Tratz, "Werkstatt und Arbeitsweise Berninis", Romisches Jahrbuch fur Kunstgeschichte (1988), bd. 23/24, p. 445 fn. 353
  • Rudolf Wittkower, Bernini: The Sculptor of the Roman Baroque, Electa (Milan, Italy, 1990), p. 289
  • Andrea Bacchi, ed., Sculture del '600 a Roma, Longanesi & Co. (Milan, Italy, 1996), pl. 175
  • Charles Avery, Bernini, Genius of the Baroque, Thames & Hudson (London, England, 1997), pp. 165-169, fig. 220
  • Mark S. Weil, "Bernini Drawings and Bozzetti for the Ponte Sant' Angelo: A New Look", Harvard University Art Museums Bulletin, ed. Ivan Gaskell and Henry Lie, Harvard University Art Museums (Cambridge, MA, Spring 1999), vol. VI, no. 3, 144-150
  • Eugene F. Farrell, Henry Lie, and Suzanne M. M. Young, "Clay Analysis", Harvard University Art Museums Bulletin, ed. Ivan Gaskell and Henry Lie, Harvard University Art Museums (Cambridge, MA, Spring 1999), VI, 3, 39-47, pp. 42-43
  • Nancy Lloyd, "Fingerprints", Harvard University Art Museums Bulletin, ed. Ivan Gaskell and Henry Lie, Harvard University Art Museums (Cambridge, MA, Spring 1999), VI, No. 3, 119-124
  • Tony Sigel, "The Clay Modeling Techniques of Gian Lorenzo Bernini", Harvard University Art Museums Bulletin, ed. Ivan Gaskell and Henry Lie, Harvard University Art Museums (Cambridge, MA, Spring 1999), VI, 3, 48-72
  • Bruce Boucher, "Bernini's Models for the Angels of the Ponte Sant' Angelo in Rome", Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova, Yale University Press (New Haven, CT, and London, 2001), pp. 60-66, p. 66, repr. as figs. 73 and 74; p. 196
  • C. D. Dickerson III, Tony Sigel, Ian Wardropper, Andrea Bacchi, Tomaso Montanari, and Stephen E. Ostrow, Bernini Sculpting in Clay, exh. cat. (New York, 2012)
  • Joris van Gastel, "Michelangelo's Lesson", Das haptische Bild: Körperhafte Bilderfahrung in der Neuzeit, ed. Markus Rath, Jörg Trempler, and Iris Wenderholm, Akademie Verlag (Berlin, 2013), pp. 209-225, pp. 223-224, fig. 4
  • Claus Grimm, Das Rätsel der Kunst ist gelöst: Ein neuer Blick auf die Kunstgeschichte, Novum Verlag (Berlin, 2016), pp. 150-151, repr. p. 151, fig. 21
  • Evonne Levy and Carolina Mangone, ed., Material Bernini, Routledge / Taylor & Francis (London, 2016), p. 73, 75, 77, repr. p. 75, 77, figs. 4.2 and 4.4
  • Nina Pasquini, "Model Masterpieces: Bernini's Terracotta Sketches", Harvard Magazine (May-June 2024), vol. 126, no. 5, p. 72

Exhibition History

  • In Memoriam: Gian Lorenzo Bernini, Fogg Art Museum, Cambridge, 08/01/1980 - 10/15/1980
  • Gian Lorenzo Bernini: Sketches in Clay, Harvard University Art Museums, Cambridge, 02/28/1998 - 06/30/2008
  • Bernini: Sculpting in Clay, The Metropolitan Museum of Art, New York, 10/03/2012 - 01/06/2013; Kimbell Art Museum, Fort Worth, 02/03/2013 - 05/05/2013
  • 32Q: 2520 Winter Garden, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu