Photo © President and Fellows of Harvard College
Unable to open [object Object]: HTTP 0 attempting to load TileSource: https://ids.lib.harvard.edu/ids/iiif/48613778/info.json
Photo © President and Fellows of Harvard College
This object does not yet have a description.

Identification and Creation

Object Number
1943.208
People
George Frederic Watts, British (London, England 1817 - 1904 Limnerslease, Compton, England)
Title
Virginia Dalrymple (1850-1922)
Classification
Paintings
Work Type
painting
Date
1865
Culture
British
Persistent Link
https://hvrd.art/o/230459

Physical Descriptions

Medium
Oil on panel
Dimensions
44.45 x 29.21 cm (17 1/2 x 11 1/2 in.)
Inscriptions and Marks
  • Signed: l.l.: G.F.W. 1865

Provenance

Recorded Ownership History
Robert Henry Benson, Sussex; his sale [Christie, Manson & Woods, London, June 21, 1929, no. 97] to Paterson. [Scott & Fowles, New York, January 8, 1930] sold; to Grenville L. Winthrop ($2,200), bequest; to Fogg Art Museum, 1943

Copy of Benson catalogue on Knoedler microfiche annotation notes that this was sold to Paterson (an employee of Scott & Fowles?).

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.208
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • "G.F. Watts: framing myths and portraits", website, The Frame Blog, https://theframeblog.com/2020/05/12/g-f-watts-framing-myths-and-portraits/ [accessed May 14, 2020]
  • Mary S. Watts, George Frederic Watts: the Annals of an Artist's Life, The Macmillan Company (London, England, 1912), vol. I, pp. 155-157; vol. II, p. 117
  • Paintings and Drawings of the Pre-Raphaelites and their Circle, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), no. 96
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 133, repr. as no. 85
  • Francesca Mitchell, "Technical Study of the Paintings by George Frederic Watts in the Collection at the Fogg Art Museum at Harvard University" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, July 1990), Unpublished, pp. 1-22 passim
  • Mark Bills and Barbara Bryant, G.F. Watts: Victorian Visionary, exh. cat., Yale University Press (U.S.) (New Haven/London, 2008), under no. 42, p. 182

Exhibition History

  • Annual Exhibition, 1872, Royal Academy of Arts, London, 01/01/1872 - 12/31/1872
  • Winter Exhibition: Works by the Late George Frederick Watts, R.A., O.M. and the Late Frederick Sandys, Royal Academy of Arts, London, 10/01/1905 - 12/31/1905
  • Paintings and Drawings of the Pre-Raphaelites and their Circle, Fogg Art Museum, Cambridge, 04/08/1946 - 06/01/1946
  • Pre-Raphaelite and Early French Symbolist Art in the Fogg Collections, Fogg Art Museum, Cambridge, 01/16/1973 - 02/25/1973
  • The Pre-Raphaelites: Selections from the Permanent Collection, Fogg Art Museum, Cambridge, 06/04/1980 - 07/15/1980

Related Objects

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu