1943.197: Napoléon-François-Charles-Joseph Bonaparte

Identification and Creation

Object Number

1943.197

People

Thomas Lawrence, English (Bristol, England 1769 - 1830 London, England)

Title

Napoléon-François-Charles-Joseph Bonaparte

Other Titles

Alternate Title: François Charles Joseph Napoléon (1811-1832) King of Rome, Duke of Reichstadt
Former Title: Napoléon-François-Charles-Joseph Bonaparte, (1811-1832), duc de Reichstadt, styled King of Rome, (called Napoléon II)

Classification

Paintings

Work Type

painting

Date

1818-1819

Culture

British

Persistent Link

https://hvrd.art/o/230446

Physical Descriptions

Medium

Oil on canvas

Dimensions

57.8 x 48.6 cm (22 3/4 x 19 1/8 in.)
framed: 78 x 69 cm (30 11/16 x 27 3/16 in.)

Inscriptions and Marks

• label: back of canvas: Mlle. Debassans / 11 Rue du Mont Durville / Paris XVI. [circular stamp over this label, mostly illegible, includes "Centrale."]

Provenance

Recorded Ownership History

Samuel Woodburn, London, England (by 1833). Duc de Bassano, (by 1896); to his daughter, the Princesse de Bassano, sold; [through Martin Birnbaum]; to Grenville L. Winthrop (1938-1943) bequest; to Fogg Art Museum, 1943.

Notes:
S. Woodburn lent the painting to the British Institute exhibition in 1833.
Aug. 1896 "The Century Magazine" gives the owner as the Marquis de Bassano.

Acquisition and Rights

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop

Accession Year

1943

Object Number

1943.197

Division

European and American Art

Contact

am_europeanamerican@harvard.edu

Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description

Rectangular canvas in oval frame

Publication History

• Johann David Passavant, Tour of a German Artist in England (London, England, 1836), p. 251
• Ida M. Tarbell, A Short Life of Napoleon Bonaparte, S. S. McClure Ltd. (New York, NY, 1895), repr. pl. 177
• Lord Ronald Sutherland Gower, Sir Thomas Lawrence, with a catalogue of the artist's exhibited and engraved works, compiled by Algernon Graves., Goupil, J. Boussod, Manzi, Joyant, and successors (London, England and New York, NY, 1900), p. 151, repr. facing p. 42
• Sir Walter Armstrong, Lawrence (New York, NY, 1913), pps. 66-67, pl. XXIX
• Kenneth Garlick, Sir Thomas Lawrence, Routledge and Paul (London, England, 1954), p. 13, no. 84
• Kenneth Garlick, A Catalogue of the Paintings, Drawings and Pastels of Sir Thomas Lawrence, Glasgow University Press (Glasgow, Scotland, 1962 - 1964), p. 149
• H. Wade White, "A Significant Addition to the Museum's Napoleonic Collection", Fogg Art Museum Newsletter, Fogg Art Museum (Cambridge, MA, 1964), vol. II, no. 1
• Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 82, p. 110, repr. in b/w, p. 111
• Kenneth Garlick, Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings, Phaidon Press (Oxford, England, 1989), no. 591, p. 243, repr. in b/w
• Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 115; repr. as no. 40
• Everett Fahy, Dipinti, disegni, miniature, stampe, Alberto Bruschi (Florence, Italy, 2000), no. 495, p. 53
• Susan Youens, Schubert's Late Lieder: Beyond the Song-Cycles, Cambridge University Press (Cambridge, England, 2002), repr. in b/w as fig. 2, p. 6; text p. 5
• Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), no. 178, pp. 401-402, repr. in color
• Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 178, pp. 413, repr. in color

Exhibition History

• A Selection of the Works of Sir Joshua Reynolds, Benjamin West, Esq., and Sir Thomas Lawrence, the Last Three Presidents of the Royal Academy, with Which the Proprietors Have Favoured the Institution, British Institution, London, 01/01/1833 - 12/31/1833
• Exposition de Portraits du Siècle, École Nationale des Beaux-Arts, Paris, 04/25/1883 - 12/31/1883
• Portraits de Femmes et d'Enfants, École Nationale des Beaux-Arts, Paris, 04/30/1897 - 12/31/1897
• Tentoonstelling twee eeuwen Engelsche kunst [Two Centuries of British Art], Stedelijk Museum, Amsterdam, 07/04/1936 - 10/04/1936
• Grenville L. Winthrop: Retrospective for a Collector, Fogg Art Museum, Cambridge, 01/23/1969 - 03/31/1969
• Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
• France and the Portrait, 1799-1870, Harvard University Art Museums, Cambridge, 12/03/1994 - 01/29/2002
• A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004
• For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004

Subjects and Contexts

• Google Art Project

Verification Level