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Gallery Text

Fortuny y Marsal was born in Spain but spent much of his adult life in Rome. His travels throughout Europe and North Africa influenced his work, which combined a rigorous study of composition with realism in detail, intensity of color, and thick brushstrokes to convey texture and shading. During a two-year stay in Granada, Fortuny painted this rustic scene; a preparatory drawing identifies the site as the Casa de Cocheros. Washed in sunlight and set against a vibrant Andalusian sky, the scene reveals the painter’s interest in the natural world.

Identification and Creation

Object Number
1942.192
People
Mariano (José Bernardo) Fortuny y Marsal, Spanish (Reus, Spain 1838 - 1874 Rome)
Title
A Patio in Granada
Other Titles
Former Title: Courtyard at Alhambra
Alternate Title: Farmhouse Courtyard at Alhambra / Basse-cour à l'Alhambra / Lower Court at Alhambra / A Farmhouse at Alhambra / Farmhouse: Courtyard at Alhambra
Classification
Paintings
Work Type
painting
Date
1873
Culture
Spanish
Persistent Link
https://hvrd.art/o/230412

Physical Descriptions

Medium
Oil on canvas
Dimensions
111.4 x 88.6 cm (43 7/8 x 34 7/8 in.)
framed: 127 x 104 cm (50 x 40 15/16 in.)
Inscriptions and Marks
  • stamp: l.l.: Fortuny [in a circle; stamp from Fortuny estate]

Provenance

Recorded Ownership History
Mariano (José Bernardo) Fortuny y Marsal, sold [through his sale, Hôtel Drouot, Paris, April 26, 1875, lot 55]; to William Hood Stewart, New York, sold [through his sale, American Art Association, New York, February 3-4, 1898, lot 68]; to Samuel Untermyer, sold [through Parke-Bernet, New York, May 10-11, 1940, lot 14]; [via Martin Birnbaum] to Grenville Lindall Winthrop, New York, gift; to Fogg Art Museum, 1942

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Grenville L. Winthrop, Class of 1886
Accession Year
1942
Object Number
1942.192
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • Atelier de Fortuny, Oeuvre Posthume, auct. cat., Hôtel Drouot (Paris, April 26, 1875), lot no. 55
  • "Stewart Collection is Here", The New York Times (June 23 1897), p. 6
  • "Art Treasures at Auction", New York Herald Tribune (February 4 1898)
  • Modern Masterpieces, auct. cat., American Art Association (New York, February 3, 1898), lot no. 68
  • Important Paintings, Early Works by Cranach, Previtali, De Credi, Rubens, Van Dyck, auct. cat., Parke-Bernet Galleries, Inc. (New York, May 10, 1940), p. 10, lot 14, repr.
  • William R. Johnston, "W. H. Stewart, the American Patron of Mariano Fortuny", Gazette des Beaux-Arts (March 1971), pps. 183-188, repr. in b/w fig. 4, p. 186
  • Marià Fortuny, Fortuny, 1838-1874, exh. cat., Fundació la Caixa (1989), repr. as fig. 2 on p. 106
  • Carlos Gonzalez Lopez and Montserrat Marti Ayxela, Mariano Fortuny Marsal, Diccionari Rafols (Barcelona, Spain, 1989), tomo I, repr. no. 187, p. 336
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 77, color plate; pp. 107, 374, repr. b/w cat. no. 831
  • Luis Quesada, Pintores españoles y extranjeros en Andalucia, Guadalquivir Ediciones (Seville, Spain, 1996), p. 173, fig. 234, color repro.
  • Fortuny 1838-1874, exh. cat., Museu Nacional d'Art de Catalunya (Barcelona, Spain, 2003), pp. 56, 409, 415, 552, 553; repr. in b/w p. 51, 417

Exhibition History

  • 32Q: 2700 Impressionism, Harvard Art Museums, Cambridge, 11/16/2014 - 07/14/2017

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu