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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1943.217
People
Jean-Baptiste-Siméon Chardin, French (Paris 1699 - 1779 Paris)
Previously Attributed to Jean-Baptiste-Siméon Chardin, French (Paris 1699 - 1779 Paris)
Title
Blind Beggar
Classification
Paintings
Work Type
painting
Date
18th century
Culture
French
Persistent Link
https://hvrd.art/o/230383

Physical Descriptions

Medium
Oil on canvas
Dimensions
29.8 x 23 cm (11 3/4 x 9 1/16 in.)

Provenance

Recorded Ownership History
Vassal de Saint-Hubert, sold; his sale [Remy, Paris, January 17, 1774]; to Barrois. Levis-Mirepois, confiscated December 7, 1794. Charles-Nicolas Duclos-Dufresnoy, sold; his sale [A. T. Baudouin, Paris] August 18, 1795. [Rene Gimpel], sold; to John W. Simpson, NY. 1911. [Wildenstein & Co. New York] sold; to Grenville L. Winthrop, 1934, bequest; to Fogg Art Museum, 1943

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.217
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990)
  • Pierre Rosenberg, "The 'Blind Man of the Quinze-Vingts' by Chardin and the 'Young Girl with a Marmot' by Fragonard at the Fogg", Shop Talk: Studies in Honor of Seymour Slive, Harvard University Art Museums (Cambridge, 1995), pp. 211-215, 391-393, pp. 211-215, 391, repr. p. 391 as fig. 1
  • Pierre Rosenberg, Shop Talk: Studies in Honor of Seymour Slive, Harvard University Art Museums, Fogg Art Museum (Cambridge, MA, 1995), pp. 211-215, 391-393; repr. pp. 391-393.
  • Colin B. Bailey, Patriotic Taste: Collecting Modern Art in Pre-Revolutionary Paris, Yale University Press (New Haven and London, 2002), p. 149, repr. as fig. 132
  • Ewa Lajer-Burcharth and Isabelle Graw, Painting beyond Itself: The Medium in the Post-medium Condition, Sternberg Press (Berlin, 2016), pp. 43-48, repr. p. 44
  • Ewa Lajer-Burcharth, The Painter's Touch: Boucher, Chardin, Fragonard, Princeton University Press (Princeton, 2018), pp. 116-123, repr. as fig. 2.29 on p. 116, 2.32, 2.33 on p. 117 [details]

Exhibition History

  • Masterpieces of European Art, Busch-Reisinger Museum, Cambridge, 06/22/1985 - 09/15/1985

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu