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A white carved figure with wings in their hair, surrounded by a gold border.

In a circular frame, a persons face is carved in white on a blue background, their face is surrounded by masses of waving hair which tie under their chin. There are two small wings set into their hair on the top of their head. They have a small mouth, long straight nose, and furrowed brows which make them look worried. There is a circular black border which is surrounded further by a frame of carved gold acanthus leaves.

Gallery Text

Renowned potter Josiah Wedgwood was not only a master artisan, but a transformative innovator in 18th-century craft, production, and science. Born into a family of potters, Wedgwood developed his own new clay bodies, such as the well-known pastel-colored jasperware above and the black basalt in the adjacent case. One of the medallions seen here is displayed to feature its back, which is inscribed with notes recording the process used to achieve the specific color of the jasperware body.

Many of the jasperware works seen here are from Wedgwood’s “Illustrious Moderns” series, which modeled political and other famous figures of the day in the form of ancient cameos so that one could collect and display their likenesses in their homes. Harnessing the interest in the ancient world during the second half of the 18th century, Wedgwood made and named works that would appeal to connoisseurs of antiquities.

[1943.1239, 1943.1195, 1943.1201, 1943.1191, 1943.1182]

Identification and Creation

Object Number
1943.1182
People
Wedgwood & Bentley, British (in business 1769-1780)
Designed by John Flaxman, British (York, England 1755 - 1826 London, England)
Title
Head of Medusa
Classification
Medals and Medallions
Work Type
medallion
Date
1776
Places
Creation Place: Europe, United Kingdom, England, Etruria
Culture
British
Persistent Link
https://hvrd.art/o/230145

Location

Location
Level 2, Room 2340, European and American Art, 17th–19th century, The Silver Cabinet: Art and Ritual, 1600–1850
View this object's location on our interactive map

Physical Descriptions

Technique
Jasperware
Dimensions
13 cm (5 1/8 in.)
Inscriptions and Marks
  • monogram: verso, impressed: WEGWOOD & BENTLEY

Provenance

Recorded Ownership History
[Frederick Rathbone, London, England], sold; to Grenville L. Winthrop, New York, NY, 1916, bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.1182
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
Gray jasperware body with blue glaze on front and head in very deep white relief

Publication History

  • Jean Gorely, "The Winthrop Collection", Old Wedgwood, Wellesley Press, Inc. (Wellesley, MA, 1943), no. 10, pp. 132-139, p. 137
  • Old Wedgwood from the Bequest of Grenville Lindall Winthrop, exh. cat., Fogg Art Museum (Cambridge, MA, 1944), no. 8, p. 13
  • Casey Monahan, "'If I offer you too much you have the remedy by declining it!:' Frederick Rathbone and the Grenville Lindall Winthrop Collection of Wedgwood at the Harvard Art Museums", Proceedings of the Sixty-Fourth Annual Wedgwood International Seminar, Birmingham Museum of Art (Birmingham, 2019), pp. 33-43, p. 34

Exhibition History

  • Old Wedgwood from the Bequest of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 06/04/1944 - 09/03/1944
  • 32Q: 2340 Cabinet Gallery, Harvard Art Museums, Cambridge, 11/16/2014 - 09/24/2019; Harvard Art Museums, Cambridge, 11/25/2019 - 03/01/2025

Subjects and Contexts

  • Google Art Project

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu