1943.1182: Head of Medusa
Medals and MedallionsIn a circular frame, a persons face is carved in white on a blue background, their face is surrounded by masses of waving hair which tie under their chin. There are two small wings set into their hair on the top of their head. They have a small mouth, long straight nose, and furrowed brows which make them look worried. There is a circular black border which is surrounded further by a frame of carved gold acanthus leaves.
Gallery Text
Renowned potter Josiah Wedgwood was not only a master artisan, but a transformative innovator in 18th-century craft, production, and science. Born into a family of potters, Wedgwood developed his own new clay bodies, such as the well-known pastel-colored jasperware above and the black basalt in the adjacent case. One of the medallions seen here is displayed to feature its back, which is inscribed with notes recording the process used to achieve the specific color of the jasperware body.
Many of the jasperware works seen here are from Wedgwood’s “Illustrious Moderns” series, which modeled political and other famous figures of the day in the form of ancient cameos so that one could collect and display their likenesses in their homes. Harnessing the interest in the ancient world during the second half of the 18th century, Wedgwood made and named works that would appeal to connoisseurs of antiquities.
[1943.1239, 1943.1195, 1943.1201, 1943.1191, 1943.1182]
Identification and Creation
- Object Number
- 1943.1182
- People
-
Wedgwood & Bentley, British (in business 1769-1780)
Designed by John Flaxman, British (York, England 1755 - 1826 London, England)
- Title
- Head of Medusa
- Classification
- Medals and Medallions
- Work Type
- medallion
- Date
- 1776
- Places
- Creation Place: Europe, United Kingdom, England, Etruria
- Culture
- British
- Persistent Link
- https://hvrd.art/o/230145
Location
- Location
-
Level 2, Room 2340, European and American Art, 17th–19th century, The Silver Cabinet: Art and Ritual, 1600–1850
Physical Descriptions
- Technique
- Jasperware
- Dimensions
- 13 cm (5 1/8 in.)
- Inscriptions and Marks
-
- monogram: verso, impressed: WEGWOOD & BENTLEY
Provenance
- Recorded Ownership History
-
[Frederick Rathbone, London, England], sold; to Grenville L. Winthrop, New York, NY, 1916, bequest; to Fogg Art Museum, 1943.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.1182
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- Gray jasperware body with blue glaze on front and head in very deep white relief
Publication History
- Jean Gorely, "The Winthrop Collection", Old Wedgwood, Wellesley Press, Inc. (Wellesley, MA, 1943), no. 10, pp. 132-139, p. 137
- Old Wedgwood from the Bequest of Grenville Lindall Winthrop, exh. cat., Fogg Art Museum (Cambridge, MA, 1944), no. 8, p. 13
- Casey Monahan, "'If I offer you too much you have the remedy by declining it!:' Frederick Rathbone and the Grenville Lindall Winthrop Collection of Wedgwood at the Harvard Art Museums", Proceedings of the Sixty-Fourth Annual Wedgwood International Seminar, Birmingham Museum of Art (Birmingham, 2019), pp. 33-43, p. 34
Exhibition History
- Old Wedgwood from the Bequest of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 06/04/1944 - 09/03/1944
- 32Q: 2340 Cabinet Gallery, Harvard Art Museums, Cambridge, 11/16/2014 - 09/24/2019; Harvard Art Museums, Cambridge, 11/25/2019 - 06/02/2025
Subjects and Contexts
- Google Art Project
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu