1943.1031: Male Head
SculptureHead of a man with chin-length curly hair and a curly beard that extends just below his chin. His eyes are open, but details are faint except for a slight darkening around the pupils. He has fairly thin, dark eyebrows as well as upper and lower eyebrows. He has a bony nose and fairly thin lips. The hair has carved wave details. The surface of the head is mostly gray, with chips in the hair and the middle of the forehead revealing a tan underlayer. The back of the head features more curly hair and more tan coloring.
Gallery Text
By the fourteenth century, Paris was a large urban center with artists organized in guilds working for the royal court, the clergy, and bourgeois patrons. Guillaume de Nourriche is known from the tax rolls of the city, where he is listed as a sculptor paid to make two figures of apostles for Paris’ Hôpital Saint-Jacques-aux-Pèlerins (Hospital of Saint James of the Pilgrims). The hospital was an infirmary for returning pilgrims, many of whom had gone to the popular shrine of Santiago de Compostela, Spain. One of the figures made by Guillaume remains in Paris, and stylistic similarities suggest that this head belonged to the other figure. With its softly molded face, flesh beneath the eyes, and slightly open mouth, this head attests to the increasingly naturalistic and delicate style developed by Gothic sculptors of the fourteenth century.
Identification and Creation
- Object Number
- 1943.1031
- People
-
Attributed to Guillaume de Nourriche, French (active c. 1297-1330)
Previously attributed to Unidentified Artist
- Title
- Male Head
- Classification
- Sculpture
- Work Type
- sculpture, head
- Date
- c. 1319-1324
- Places
- Creation Place: Europe, France, Ile-de-France
- Culture
- French
- Persistent Link
- https://hvrd.art/o/230070
Location
- Location
-
Level 2, Room 2440, Medieval Art
Physical Descriptions
- Medium
- Limestone, biomicrite
- Dimensions
-
30 x 22.5 x 19.8 cm (11 13/16 x 8 7/8 x 7 13/16 in.)
with base: 49.8 x 22.5 x 19.8 cm (19 5/8 x 8 7/8 x 7 13/16 in.)
Provenance
- Recorded Ownership History
- Jules-Marie Jeuniette, Paris, France, sold [through Galerie Manzi-Joyant, Paris, 1919, no 208]; to [Demotte, Inc., New York, NY], sold; to Grenville Lindall Winthrop, New York, NY, 1919, bequest; to Fogg Art Museum, 1943.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.1031
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Publication History
- Hartmut Krohn, "Die Skulptur der Querhaus fassaden an der Kathedrale von Rouen", Aachener Kunstblätter (1971), vol. 40, pp. 130-131, ill. 88
- "Gothic Sculpture in American Collections: The Checklist: I: The New England Museums", GESTA, ed. Dorothy W. Gillerman (1980), vol. XIX, no. 2, no. 25, repr.
- Anita F. Moskowitz, Gothic Sculpture in America, I: The New England Museums, ed. Dorothy W. Gillerman, Garland Publishing, Inc. (New York, 1989), no. 98 pp. 130-132, repr.
- Paul Williamson, [Review of "Gothic Sculpture in New England I"], The Burlington Magazine (June 1990), vol. CXXXII, no. 1047, pp. 418-419, p. 418, under no. 98
- The Limestone Sculpture Provenance Project, website, 2004
Exhibition History
- Re-View: S422-423 Western Art of the Middle Ages & Renaissance, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011
- 32Q: 2440 Medieval, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
Subjects and Contexts
- Google Art Project
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu