1943.211: The Denunciation of Adam and Eve
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1943.211
- People
-
George Frederic Watts, British (London, England 1817 - 1904 Limnerslease, Compton, England)
Frame by M. Grieve Co.
- Title
- The Denunciation of Adam and Eve
- Other Titles
- Alternate Title: The Expulsion of Adam and Eve
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1873-c. 1898
- Culture
- British
- Persistent Link
- https://hvrd.art/o/230062
Physical Descriptions
- Medium
- Oil on canvas
- Dimensions
-
150.81 x 66.36 cm (59 3/8 x 26 1/8 in.)
framed: 167.01 x 82.23 x 6.99 cm (65 3/4 x 32 3/8 x 2 3/4 in.) - Inscriptions and Marks
-
- Signed: l.l.: G F Watts
Provenance
- Recorded Ownership History
- Sir Edmund Davis, 1899. [Christie's, no. 92], sold; to Grenville L. Winthrop, New York, NY, 1939 [through Martin Birnbaum], bequest; to Fogg Art Museum, 1943.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.211
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Publication History
- T. Martin Wood, "The Edmund Davis Collection--II", The International Studio (June 1915), vol. LXV, no. 267, pp. 3-17, p. 241, ill. p. 239
- [Review of the Christie's sale], The London Times (London, England, July 8, 1939)
- Sale of Pictures and Drawings, the Property of the Late Sir Edmund Davis, auct. cat., Christie's, London (London, England, July 7, 1939), no. 92
- Paintings and Drawings of the Pre-Raphaelites and their Circle, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), no. 103
- Allen Staley, Victorian High Renaissance, exh. cat., Minneapolis Institute of Arts (Minneapolis, MN, 1978), p. 82
- Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 133, repr. as no. 76
- Francesca Mitchell, "Technical Study of the Paintings by George Frederic Watts in the Collection at the Fogg Art Museum at Harvard University" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, July 1990), Unpublished, pp. 1-22 passim
- Chikashi Kitazaki and Mina Oya, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, 2002), pp. 142-143, cat. #37, color repr.
- Mark Bills and Barbara Bryant, G.F. Watts: Victorian Visionary, exh. cat., Yale University Press (U.S.) (New Haven/London, 2008), under no. 35, p. 168
Exhibition History
- Winter Exhibition: Works by the Late George Frederick Watts, R.A., O.M. and the Late Frederick Sandys, Royal Academy of Arts, London, 10/01/1905 - 12/31/1905
- Paintings and Drawings of the Pre-Raphaelites and their Circle, Fogg Art Museum, Cambridge, 04/08/1946 - 06/01/1946
- The Pre-Raphaelites: Selections from the Permanent Collection, Fogg Art Museum, Cambridge, 06/04/1980 - 07/15/1980
- Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002
Subjects and Contexts
- Collection Highlights
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu