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Identification and Creation

Object Number
1943.1395
People
After Antoine Louis Barye, French (Paris, France 1796 - 1875 Paris, France)
Previously attributed to Alfred Barye, French (Paris 1839 - 1882)
Title
A Jaguar Devouring a Hare
Other Titles
Original Language Title: Jaguar devorant un lièvre
Alternate Title: Lion Devouring a Hare
Classification
Sculpture
Work Type
sculpture
Date
1850
Culture
French
Persistent Link
https://hvrd.art/o/229720

Physical Descriptions

Medium
Bronze with brownish black with green patina (reddish brown in worn areas)
Technique
Cast, sand
Dimensions
13.49 x 33.5 x 14.29 cm (5 5/16 x 13 3/16 x 5 5/8 in.)
Inscriptions and Marks
  • Signed: on base, proper left of jaguar's tail: L. BARYE

Provenance

Recorded Ownership History
Grenville L. Winthrop, New York, bequest; to Fogg Art Museum, 1943

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.1395
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Catalogue des bronzes de Barye, Statuaire, Exposition Universelle 1855 La Grande Médaille d'Honneur, exh. cat., Quai des Celestins, 10 (Paris, France, 1855), no. 65
  • Catalogue des bronzes de A.L. Barye, Statuaire, Exposition Universelle de 1865 La Grande Médaille d'Honneur, exh. cat., Quai des Celestins, 4 (Paris, France, 1865), no. B76
  • Paul Mantz, "Artistes contemporains, M. Barye", Gazette des Beaux-Arts (February 1, 1867), vol. I, pp. 121-123
  • Catalogue des oeuvres de feu Barye. Bronzes, aquarelles-tableaux, cires terres cuites, marbres, plâtres, auct. cat., Hôtel Drouot (Paris, France, February 7 1876 - February 12 1876), no. 725
  • Catalogue des bronzes de Barye. Modèles, tableaux et dessins Composant la collection de M. Auguste Sichel, auct. cat., Hôtel Drouot (Paris, France, February 27, 1886), no. 1
  • J. J. Guillaume, "Exposition des Oeuvres de Barye a l'École des Beaux-Arts", Nouvelles Archives de l'Art Français (1889), 3rd series, vol. V, pp. 242-243
  • Arsène Alexandre, A. L. Barye, Librairie de l'Art (Paris, France, 1889), pp. 55-56, p. 17, repr.
  • Charles de Kay, Barye: Life and Works of Antoine Louis Barye, sculptor, Barye Monument Association (New York, NY, 1889), no. 59, pp. 89-90, repr.
  • Eugène Guillaume, Catalogue des Oeuvres de Barye, École Nationale des Beaux-Arts (Paris, France, 1889), nos. 6, 246
  • Catalogue of the Works of Antoine-Louis Barye exhibited at the American Art Galleries . . ., exh. cat., J. J. Little and Co. (New York, NY, 1889), nos. 7, 406
  • Roger Ballu, L'Oeuvre de Barye, Maison Quantin (Paris, France, 1890), pp. 104, 106, 109, repr. p. 106
  • Oeuvres de A.-L. Barye, auct. cat., Boulevard Poissonier, no. 30 (Paris, France, 1893), p. 4
  • Charles Sprague Smith, Barbizon Days: Millet, Corot, Rousseau, Barye, A. Wessels Co. (New York, NY, 1902), p. 220. repr.
  • E. W. Hopkins, Antoine-Louis Barye, Bates and Guild Co. (Boston, MA, 1904), p. 9
  • Collection Antony Roux, auct. cat., Galerie Georges Petit (Paris, France, May 19 1914 - May 20 1914), p. 83, no. 116, repr.
  • La Donation Jacques Zoubaloff aux Musées de France, Editions Albert Morancé (Paris, France, 1920 - 1930), p. 14, no. 1565, p. 17, no. 1553
  • Charles Saunier, Barye, F. Rieder & cie (Paris, France, 1925), pp. 35-36, pl. 14
  • Illustrated Handbook of Paintings, Sculpture, and Other Art Objects, Corcoran Gallery of Art (Washington, D.C, 1939), p. 121, no. 798
  • Gerard Hubert, "Barye et la critique de son temps", Revue des Arts (1956), vol. VI, no. 4, p. 227, repr.
  • Gerard Hubert and Maurice Sérullaz, Barye: Sculptures, Peintures, Aquarelles des Collectons Publiques Françaises, exh. cat., Musée National du Louvre (Paris, France, 1956), no. 4
  • Gerard Hubert, "Barye...ce méconnu", Jardin des Arts (1957), no. 27, p. 157
  • Antoine-Louis Barye, 1796-1875, exh. cat., Marion Koogler McNay Art Institute (San Antonio, TX, 1965), no. 54, repr.
  • Glenn Franklin Benge, "The Sculpture of Antoine-Louis Barye in American Collections" (Thesis, University of Iowa, 1969), University Microfilms, pp. 20, 362-363; cat. no. 128
  • Bronzes by Antoine-Louis Barye: the Bernard Black-Hugues Nadeau Collection, auct. cat., Parke-Bernet Galleries, Inc. (New York, NY, December 3, 1971), no. 59, repr.
  • Exhibition of Sculpture, Antoine Louis Barye, 1796-1875, exh. cat., Educational Testing Service (London, England, 1972), repr., no. 10
  • Tableaux modernes: collection de bronzes par Barye appartenant à divers amateurs, auct. cat., Palais Galliera (Paris, France, March 16, 1972), no. 50
  • James Mackay, The Animaliers: the Animal Sculptors of the 19th and 20th Centuries, Ward Lock Ltd. (London, England, 1973), p. 36
  • Stuart Pivar, The Barye Bronzes, Antique Collector's Club Ltd. (Woodbridge, Suffolk, England, 1974), pp. 8, 17-18, cat. no. A82; repr. p. 154
  • Jeanne L. Wasserman, ed., Metamorphoses in Nineteenth-Century Sculpture, exh. cat., Fogg Art Museum (Cambridge, MA, 1975), p. 78
  • Peter Fusco and H. W. Janson, The Romantics to Rodin: French Nineteenth-Century Sculpture from North American Collections, exh. cat., Los Angeles County Museum (Los Angeles, CA, 1980), p. 125
  • Jeanne L. Wasserman and Arthur Beale, Sculpture by Antoine-Louis Barye in the Collection of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, 1982), p. 50, no. 19
  • Victorian Sculpture, auct. cat., Christie's, East (New York, NY, March 16, 1982), p. 124, fig. 121, repr.
  • Glenn Franklin Benge, Antoine-Louis Barye: Sculptor of Romantic Realism, Pennsylvania State University Press (University Park, PA and London, England, 1984), p. 6, 11, 36, 47, 74

Exhibition History

  • Between the Empires: Géricault, Delacroix, Chasseriau--Painters of the Romantic Movement, Fogg Art Museum, Cambridge, 04/30/1946 - 06/01/1946
  • A Bronze Menagerie and Other Works by Antoine-Louis Barye from the Fogg Museum's Collection, Fogg Art Museum, Cambridge, 09/25/1981 - 12/27/1981

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu