1955.74: Pope Clement IX (1667-1669)
Medals and MedallionsA man’s profile is carved in the center of a large golden circle. The man is visible from the shoulders up, and he faces left. He wears a close-fitting cap on his head. The wrinkles and seams of the cap are visible. The man’s forehead is high and his nose is slightly hooked. He has curly hair that extends to his collar, a, mustache and a medium-length beard. He has a turned-down, voluminous collar. His shirt has a row of buttons at the center, a cord fastened with a round bead, and two columns of decorative, filigree-style detail.
Gallery Text
Born Girolamo Rospigliosi, Clement IX (1667–1669) was a committed patron of the arts during his short term as pope. He embellished the city of Rome through his engagement with the celebrated artist Gian Lorenzo Bernini, with whom he had collaborated before ascending to the papacy. Bernini created stage designs for performances of operas and plays written by the young Rospigliosi. The architectural and urban planning projects that Bernini carried out for Clement during his time as pope include the colonnade in Saint Peter’s Square and the renovation of the Ponte Sant’Angelo, the terracotta models for which are in the collection of the Fogg Museum.
Although this portrait was probably not executed by Bernini, it may have been modeled after one of his drawings. The image bears a strong resemblance to a papal medal by Girolamo Lucenti, created in 1669 to commemorate Clement’s expansion of the basilica of Santa Maria Maggiore, which the pontiff also entrusted to Bernini.
Identification and Creation
- Object Number
- 1955.74
- People
-
Attributed to Girolamo Lucenti, Italian (Rome c. 1627 - 1698 Rome)
Previously attributed to an Italian Unidentified Artist
Previously attributed to Gioacchino Francesco Travani, Italian (active 1625 - 1675)
- Title
- Pope Clement IX (1667-1669)
- Classification
- Medals and Medallions
- Work Type
- medallion
- Date
- 1667-1698
- Culture
- Italian
- Persistent Link
- https://hvrd.art/o/228818
Location
- Location
-
Level 2, Room 2400, European Art, 17th century, Rome and Its Influence in the Seventeenth Century
Physical Descriptions
- Medium
- Gilt bronze in high relief
- Dimensions
- 30.8 cm diam. x 2.3 cm depth (12 1/8 x 7/8 in.)
- Inscriptions and Marks
-
- label: on back of medallion, printed and handwritten:: [printed in black ink:] MATHIAS KOMOR / WORKS OF ART / [handwritten in blue ink:] N458 / 17x / [printed in black ink:] NEW YORK
Provenance
- Recorded Ownership History
-
[Mathias Komor, New York, NY], sold; to Fogg Art Museum, 1955
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing Fund
- Accession Year
- 1955
- Object Number
- 1955.74
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- In a fitted morocco case.
Publication History
- Leonard Opdycke, "A Portrait Medallion of Clement IX", Fogg Art Museum Acquisitions, 1959-1962 (Cambridge MA, 1963), pp. 13-19, pp. 13-19, repr. p. 15
- John Spike, Baroque Portraiture in Italy: Works from North American Collections, exh. cat., John and Mable Ringling Museum of Art (Sarasota, Florida, 1984), appendix, p. 206, repr. in b/w as fig. 17
- Maurizio Fagiolo dell'Arco, Berniniana: Novità sul regista del Barocco, Skira (Milan, 2002), pp. 65-66 and repr. p. XXXVI as fig. 39
- Steven F. Ostrow, "The Papal Medals of Santa Maria Maggiore, 1605-1741", Le arti a dialogo: Medaglie e medaglisti tra Quattro e Settecento, Edizioni della Normale (Pisa, 2014), pp. 181-198, p. 190 and repr. in color p. 187 as fig. 13
Exhibition History
- In Memoriam: Gian Lorenzo Bernini, Fogg Art Museum, Cambridge, 08/01/1980 - 10/15/1980
- 32Q: 2400 French/Italian/Spanish, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu