- Identification and Creation
- Physical Descriptions
- Oil on canvas
- 66.7 x 83.2 cm (26 1/4 x 32 3/4 in.)
framed: 88.7 x 105.3 x 7.3 cm (34 15/16 x 41 7/16 x 2 7/8 in.)
- Inscriptions and Marks
- Signed: l.r. Ensor
- inscription: verso, middle stretcher, graphite: Carnival James Ensor
- label: verso, top left corner of frame, printed text: LE CADRE / SOC [illeg.] ÉTÉ ANONYME / ANCIENNE MAISON MANTEAU / 29, RUE DES DEUX ÉGLISES / BRUXELLES
- inscription: verso, left side of frame, white chalk: 365 - 1 - CAMBRIDGE
- inscription: verso, left stretcher bar, white chalk: COOLIDE
- inscription: verso, left bottom corner of frame, black stencil: 7092
- label: verso of frame, lower center, square with printed text: 15
- inscription: verso, top stetcher bar, graphite: May 9 [or 4] 1955 November 9 Masques B+T
- inscription: verso, right stretcher, graphite: [illeg. text] 84 NGG3 [illeg.] Ensor
- inscription: verso, left side of canvas, graphite: [illeg.]
- label: verso, top of frame: [illeg.] KUNSTHANDEL [illeg.] / AMSTERDAM HEERENGRACHT 469 / No. 514. / James Ensor. / "Carnavail" / 26 1/2" x 33 "
label: verso, top right corner of frame: FEIGL GALLERY [printed] / Artist [printed] J. ENSOR [handwritten] / Title [printed] Le Carnaval [handwritten] / No. [printed] 734 [handwritten]
On side of label, vertically printed: 601 MADISON AVE. / NEW YORK CITY
- James Ensor, sold; [through Sam Salz, Paris (by 1931)] ; to Herbert Tannenbaum, New York, (?- c. 1953) . James N. Rosenberg, New York, (c. 1953 -1956) gift; to Fogg Art Museum.
 Salz is given as owner in 1931 exhibition catalogue. Xavier Tricot states (in email to S. Kianovsky 28 Jan 2011) that Salz took the painting on consignment.
 Offered for sale "from an American collection" in February 1953 through an exhibition at the Feigl Gallery in New York
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of James N. Rosenberg in honor of Paul J. Sachs
- © Artists Rights Society (ARS), New York / SABAM, Brussels
- Accession Year
- Object Number
- European and American Art
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- Publication History
Christian Brinton and Louis Piérard, Exhibition of Contemporary Belgian Painting, Graphic Art and Sculpture, exh. cat., Redfield-Downey-Odell Company, Inc. (New York, 1929), cat. no. 34
Kunsthandel Huinck & Scherjon, N.V., Tentoonstelling van Hollandsche en Fransche Kunst, exh. cat. (Amsterdam, 1930), cat. no. 9, repr.
Tentoonstelling van Werken door James Ensor, 1930, cat. no. 18, repr.
Ensor: 10 Oil Paintings Exhibited for the First Time in the United States, exh. cat., Feigl Gallery (New York, 1953), No. 10, repr.
Xavier Tricot, James Ensor: Life and Work. The Complete Paintings, Hatje Cantz (Ostfildern, Germany, 2009), p. 375, fig. 601, ill.
- Exhibition History
Exhibition of Contemporary Belgian Painting, Graphic Art and Sculpture, Brooklyn Museum, 01/01/1929 - 01/01/1930
Tentoonstelling van Hollandsche en Fransche Kunst, Kunsthandel Huinck & Scherjon, N.V., 05/24/1930 - 06/30/1930
Tentoonstelling van Werken door James Ensor, Kunsthandel Huinck & Scherjon, N.V., 12/01/1930 - 12/01/1930
Ensor: 10 Oil Paintings Exhibited for the First Time in the United States, Feigl Gallery, 02/11/1953 - 02/28/1953
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at email@example.com