Harvard Art Museums > 1965.22: Karma Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Karma (Kenneth Noland) , 1965.22,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/228066. This object does not yet have a description. Identification and Creation Object Number 1965.22 People Kenneth Noland, American (Asheville, NC 1924 - 2010 Port Clyde, ME) Title Karma Classification Paintings Work Type painting Date 1964 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/228066 Physical Descriptions Medium Acrylic paint on canvas Dimensions 259.1 x 365.8 cm (102 x 144 in.) framed: 261.6 x 368.3 x 5.4 cm (103 x 145 x 2 1/8 in.) Provenance Recorded Ownership History Kenneth Noland, South Shaftsbury, Vermont, gift; to Fogg Art Museum, 1965. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Kenneth Noland Copyright © Kenneth Noland Estate / Artists Rights Society (ARS), New York Accession Year 1965 Object Number 1965.22 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Michael Fried, Three American Painters, exh. cat., Fogg Art Museum (Cambridge, MA, 1965), reproduced in b/w no. 2 Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 164, ill. Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, reproduced in b/w, fig. 72, p. 79 Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 240, p. 209, repr. in b/w Ellen Davis, Talia Kwartler, and Ana Martins, Collage Logic in Max Ernst’s ‘Woman, Old Man, and Flower’ (1923-24), The Burlington Magazine, The Burlington Magazine Publications, Ltd. (https://www-burlington-org-uk.ezp-prod1.hul.harvard.edu/archive/back-issues/202103, March 2021), 163 (1416), Pages 261-263 Exhibition History American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972 Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
