Add to Collection

Add this item to an existing or new collection.
Harvard Art Museums
Incorrect Username, Email, or Password
In a garden setting, several women watch as a child tentatively walks on a red blanket

Surrounded by trees and flowering bushes, a fair skinned young woman with brown hair at right sits on a low wall, wearing a lacy, flowing green satin dress and pink skirt. She holds her hands out to a small blond haired child at center who walks unsteadily toward her, across a red blanket on the ground past an older child sitting on the ground. At left, a young woman in a pale green dress and a green apron stands with her hands up in delight, as she looks on with an older woman in a brown dress who leans over a bassinet to see.

Gallery Text

The First Steps and The Beloved Child date from a period of close collaboration between Fragonard and Marguerite Gérard, his pupil and sister-in-law. The tightness of the foliage and the figures, as well as the compositional structure, suggests Fragonard’s academic training, which is further evident in his drawing for The First Steps, also in the Harvard Art Museums’ collections. However, the sumptuous rendering of the fabrics and the refined brushwork of the mothers’ faces reveal the hand of his pupil, who emerged as a master in her own right by 1790. Both paintings celebrate the joys of maternity, a theme explored in the writings of Jean-Jacques Rousseau. During the French Revolution, motherhood was linked to the ideals of social regeneration, and in 1792 a reproductive print of The First Steps was dedicated to “good Mothers.”

Identification and Creation

Object Number
1961.166
People
Jean-Honoré Fragonard, French (Grasse 1732 - 1806 Paris)
Marguerite Gérard, French (1761 - 1837)
Title
The First Steps
Classification
Paintings
Work Type
painting
Date
c. 1780-1785
Culture
French
Persistent Link
https://hvrd.art/o/228046

Location

Location
Level 2, Room 2220, European and American Art, 17th–19th century, Rococo and Neoclassicism in the Eighteenth Century
View this object's location on our interactive map

Physical Descriptions

Medium
Oil on canvas
Dimensions
44.5 x 55.3 cm (17 1/2 x 21 3/4 in.)
frame: 64.5 x 74.5 cm (25 3/8 x 29 5/16 in.)

Provenance

Recorded Ownership History
O…sale [through Hotel de Commissaires Priseurs, Paris, December 16-17, 1839, lot 89, with pendant, The Beloved Child]. Roger Charles Gaultier De Rigny, [sale, through Hotel de Commissaires Priseurs, Paris, June 2, 1857, lot 40]; to Morens. Pillot sale [through Hotel des Ventes Mobilières, Paris, December 6-8, 1859, lot 43, listed as “Figures by Mlle. Gérard, landscape by Fragonard"]. E. Falcke, sold; to Baron Mayer Amschel de Rothschild, England, 1868, by descent; to Hannah de Rothschild, 1874, by descent; to the Lord Rosebery Collection. [Wildenstein & Co., New York], sold; to Charles E. Dunlap, St. Louis, 1952, gift; to Fogg Art Museum, 1961.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Charles E. Dunlap
Accession Year
1961
Object Number
1961.166
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Catalogue d'une belle collection de tableaux de ecoles Italienne, Flamande et Française...proevant du cabinet de M. O***, auct. cat., Imprimerie de Guiraudet et Jouaust (Paris, December 16-18, 1839), p. 15-16, lot no. 89 (with pendant)
  • Catalogue de tableaux anciens et modernes des écoles italienne, espagnole, flamande et française faisant partie de la belle collection de M. de Rigny, ancien receveur général du département du Calvados, auct. cat., Maulde et Renou, Imprimeurs de la Compagnie des Commissaires-Priseurs (Paris, June 2, 1857), p. 9, lot 40
  • Catalogue d'une collection de tableaux de l'école française...après cessation de commerce de M. Pillot...[marchand de curiosités], auct. cat. (Paris, December 6-8, 1858), p. 9, lot no. 43
  • Mentmore, R. & R. Clark (Edinburgh, 1884), p. 168, cat. no. 93, repr. [as "The First Walk"]
  • Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, 1967)
  • Paintings, Sculpture and Drawings from the Fogg Art Museum, exh. cat., Albright-Knox Art Gallery (Buffalo, NY, 1967), cat. 30
  • James N. Carpenter, Color in Art: A Tribute to Arthur Pope, exh. cat., Fogg Art Museum (Cambridge, MA, 1974), p. 74, cat. 34, ill.
  • Pierre Rosenberg, Fragonard, exh. cat., Metropolitan Museum of Art / Harry N. Abrams, Inc. (New York, 1987-1988), cat. no. 303, pp. 573-75, repr.
  • Pierre Rosenberg, Fragonard, exh. cat., Metropolitan Museum of Art / Harry N. Abrams, Inc. (New York, 1988), cat. 303, pp. 573-575, repr.
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990)
  • "Exhibitions", Harvard University Art Museums Bulletin (Cambridge, MA, Winter 1993 - Winter 1994), vol. I, no. 2, repr. p. 34
  • Eunice Williams, "Gens, Honorez Fragonard!": Works from the Collections of Harvard University and Harvard Friends, brochure, Harvard University Art Museums (Cambridge, 1993), checklist no. 22, discussed and repr. in unpaginated essay
  • Richard Rand, Intimate Encounters: Love and Domesticity in Eighteenth-century France, exh. cat., Princeton University Press (Princeton, NJ, 1997), no. 41, pp. 182-184, repr. in color
  • Pierre Rosenberg, From Drawing to Painting: Poussin, Watteau, Fragonard, David & Ingres, Princeton University Press (Princeton, NJ, 2000), p. 170, fig. 216, repr.
  • Didier Aaron: 25 Years in New York, auct. cat., Didier Aaron (New York, NY, 2002), Première partie, cat. no. 20, fig. a repr. in b/w
  • Colin B. Bailey and Philip Conisbee, The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting , exh. cat., Yale University Press/National Gallery of Canada (New Haven and Ottawa, 2003), no. 87, pp. 298-299, repr. in color
  • "Harvard University Art Museums", Boston Annual Guide for the Arts (2005-2006), pp. 122-129, repr. p. 122
  • Alvin L. Clark, Jr., "To Delight the Eye": French Drawings and Paintings from the Collection of Charles E. Dunlap, exh. cat., Harvard University Art Museums (Cambridge, 2005), repr. in color p. 4 as fig. 3; checklist no. 5, p. 11
  • Sarah Wells Robertson, "Gérard, Marguerite", Grove Art Online (2006), https://doi.org/10.1093/gao/9781884446054.article.T031475, accessed November 16, 2021
  • Marie-Anne Dupuy-Vachey, Fragonard, Editions Terrail (Paris, 2006), repr. in color pp. 226-227
  • Rena M. Hoisington and Perrin Stein, Sous les yeux de Fragonard: The Prints of Marguerite Gérard, Print Quarterly, Print Quarterly Publications (June 2012), vol. XXIX, no. 2, pp. 142-162
  • Robert Neuman, Baroque and Rococo Art and Architecture, Pearson Publishing (Boston, 2013), repr. in color p. 351 as fig. 12. 20; pp. 351-352
  • Eunice Williams, "Jean-Honoré Fragonard: Two Drawings from the 1780s in the Fogg", Master Drawings, Master Drawings Association (New York, 2015), vol. 53, no. 4, Winter, pp. 503-506, p. 503, repr. p. 504 as fig. 2
  • Sebastian Smee, "Frame by Frame: Motherly Love in 'The First Steps'", The Boston Globe (February 9, 2016), p. G3, repr.
  • Perrin Stein, Fragonard: Drawing Triumphant: Works from New York Collections, exh. cat., Metropolitan Museum of Art / Yale University Press (New York, 2016), p. 28, repr. p. 33 as fig. 28
  • Yuriko Jackall and Philippe Bordes, America Collects Eighteenth-Century French Painting, exh. cat., National Gallery of Art/Lund Humphries Publishers (Washington, DC, 2017), repr. p. 271
  • Bernard Chambaz, Le dernier tableau de Simone Martini à Zao Wou-Ki, Editions du Seuil (Paris, 2017), pp. 148-149, repr. p. 148
  • Satish Padiyar, Fragonard: Painting Out of Time, Reaktion Books (London, 2020), pp. 77-80, 84, figs. 43 and 48
  • Ewa Lajer-Burcharth, "Surprise!" [review of Padiyar, "Fragonard: Painting Out of Time"], London Review of Books (January 6, 2022), 44, no. 1, pp. 39-40, p. 40
  • Jean-Honoré Fragonard's Very First Version of "L'enfant chéri", auct. cat., Galerie Malibran (Paris, 2023), pp. 4, 5, 8, ill. 1

Exhibition History

  • Paintings, Sculpture and Drawings from the Fogg Art Museum, Albright-Knox Art Gallery, Buffalo, 05/08/1967 - 06/11/1967
  • Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967
  • Color in Art: A Tribute to Arthur Pope, Fogg Art Museum, Cambridge, 04/25/1974 - 06/16/1974
  • “Gens, Honorez Fragonard!”: Works from the Collection of Harvard University and Harvard Friends, Fogg Art Museum, Cambridge, 05/15/1993 - 07/11/1993
  • Intimate encounters : love and domesticity in eighteenth-century France, Hood Museum of Art, Hanover, 10/04/1997 - 01/04/1998; Toledo Museum of Art, Toledo, 02/15/1998 - 05/10/1998; The Museum of Fine Arts, Houston, Houston, 05/31/1998 - 08/23/1998
  • "To Delight the Eye": French Drawings and Paintings from the Collection of Charles E. Dunlap, Harvard University Art Museums, Fogg Art Museum, Cambridge, 12/17/2005 - 03/12/2006
  • Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 10 Rotation 2), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 10/15/2010 - 11/06/2010
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 11 Rotation 2), Harvard Art Museums/Arthur M. Sackler Museum, 10/07/2011 - 11/05/2011
  • 32Q: 2220 18th-19th Century, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project
  • Collection Highlights

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu