1957.210: Salt Cellar with Allegorical Scenes
VesselsThe hexagonal sides of this box each show the head of a light-skinned, sorrowful-looking figure surrounded by botanical details. One figure is a woman with curly hair. The other is a man with a blue helmet. Each rectangular side of the box shows a scene, including a skeleton standing next to a human torso, a seated woman with exposed décolleté being touched on the chest by a standing man, a woman holding a basket of leaves on her head, a nude woman waving fabric in the wind, a couple standing close together, and a nude child riding a white horse.
Gallery Text
Private patronage of art increased during the sixteenth century, significantly expanding the range of possible subject matter. The new themes often derived from classical models and displayed a naturalism that reflected the growing influence of humanism. Though no longer unequivocally Christian in content, these objects nevertheless continued to address moral issues and to concern themselves with the nature of the soul. For example, the salt cellars, which illustrate the labors of Hercules, are generally a metaphor for the triumph of virtue. With the growth of a mercantile economy and the consequent increase in lay patronage, figures of vanity and death also became popular subjects, as is evidenced by objects in this case.
Identification and Creation
- Object Number
- 1957.210
- People
-
Unidentified Artist
- Title
- Salt Cellar with Allegorical Scenes
- Classification
- Vessels
- Work Type
- vessel
- Date
- c. 1550
- Places
- Creation Place: Europe, France, Limoges
- Culture
- French
- Persistent Link
- https://hvrd.art/o/227569
Location
- Location
-
Level 2, Room 2540, European Art, 13th–16th century, The Renaissance
Physical Descriptions
- Medium
- Enamel on copper
- Dimensions
- sight: 7 x 7.6 cm (2 3/4 x 3 in.)
Provenance
- Recorded Ownership History
- Mrs. Jessie Isidor Straus, gift; to Fogg Art Museum, 1957
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Mrs. Jesse Isidor Straus in memory of her husband, Jesse Isidor Straus, Class of 1893
- Accession Year
- 1957
- Object Number
- 1957.210
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Exhibition History
- 32Q: 2540 Renaissance, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
Subjects and Contexts
- Google Art Project
Related Objects
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu