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Gallery Text

Constructed of interchangeable open cubes, LeWitt’s sculpture embodies his conception of minimalist art as an assembly system of simplified forms. In the 1960s he began to use cubes — sketched out on graph paper and made of wood or metal — as a basic unit for his work. To test the number of possible combinations, he arranged the cubes in multiple configurations, conceiving of his sculptures in linguistic terms, determined by a visual grammar. With their repeating and variant modular structures, these works demonstrate key attributes of minimalism. In the late 1960s and into the ’70s, LeWitt came to be identified with conceptual art, which grew out of minimalism and emphasized the idea behind a work of art over its visual qualities. Employing the terms of industrial production, he distanced his practice from notions of handicraft and manual dexterity. As he wrote in 1967, “The idea becomes the machine that makes the art.”

Identification and Creation

Object Number
1991.175
People
Sol LeWitt, American (Hartford, CT 1928 - 2007 New York, NY)
Title
Corner Wall #6
Classification
Sculpture
Work Type
sculpture
Date
1977
Places
Creation Place: North America, United States
Culture
American
Persistent Link
https://hvrd.art/o/226966

Physical Descriptions

Medium
White painted wood
Dimensions
109.9 x 109.9 x 109.9 cm (43 1/4 x 43 1/4 x 43 1/4 in.)

Provenance

Recorded Ownership History
Herbert and Mildred Lee, Boston, Massachusetts, gift; to Harvard University Art Museums, 1991.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Mildred and Herbert Lee
Copyright
© Estate of Sol LeWitt / Artists Rights Society (ARS), New York
Accession Year
1991
Object Number
1991.175
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Exhibition History

  • Contemporary Art from the Harvard University Art Museums Collections, Harvard University Art Museums, Cambridge, 06/23/2007 - 01/31/2008
  • 32Q: 1100 60’s Experiment, Harvard Art Museums, Cambridge, 11/16/2014 - 04/07/2017

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu