front cover Photo © President and Fellows of Harvard College
Identification and Creation
Object Number
M24417.1-76
People
Various Artists
Adam Perelle, French (1638 - 1695)
Claes Jansz. Visscher, Dutch (Amsterdam 1587 - 1652 Amsterdam)
Willem Pietersz. Buytewech, Dutch (Rotterdam, Netherlands 1591/92 - 1624 Rotterdam, Netherlands)
Title
17th century landscape album
Other Titles
Original Language Title: Livre de Peisage
Classification
Prints
Work Type
album
Date
17th c.
Culture
French
Persistent Link
https://hvrd.art/o/225871
Physical Descriptions
Medium
The book (oblong quarto) is bound in contemporary mottled calf, gilt spine titled: "Livre de Peisage.
Technique
Etching
Dimensions
20.4 x 30 x 2.1 cm (8 1/16 x 11 13/16 x 13/16 in.)
Inscriptions and Marks
  • stamp: spine, second panel, gold leaf, stamped, French: LIVRE / DE / PEISAGE ["Book of Landscape"]
  • watermark: There are a number of watermarks and partial watermarks on the various prints in the album. A few of these can be identified with the usual watermark directories. Some of the Perelles in all of the series prior to the Visscher series have a circular mark rather like a wheel or a clock dial closest to Churchill #274, c. 1719; these have an illegible countermark of a name in a cartouche. They may be associated with A. Malmenaide. The Visschers are marked with a crowned eagle ("Arms of Austria"), closest to Churchill #282, which is described as "17th century." Some of the Buytewechs have the watermark of a vase of flowers. The Perelle series that closes the album has the watermark of a cardinal's hat or the countermark of a cartouche with the name Cluzel, a papermaker whose earliest marks date from the mid seventeenth century. Together, these seems to suggest that the album was compiled in the late 17th century or at the beginning of the 18th century.
Provenance
Right Honorable Lord Dickinson, sold [through his sale, Sotheby’s, London, April 8, 1970, lot 27]; to Richard Zinser [1]. [Nicholas Stogden, London, 1997]. [2]. Robert M. Light, gift; to Harvard University Art Museums, 2000

Notes
[1] At the sale, the album was purchased by “Reznis” which is likely a partial anagram of Zinser’s name. He is known to have been the owner of the volume at his death.
[2] Stogden worked with the estate of Richard Zinser to sell material that the latter had retained until he died in 1984.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Light-Outerbridge Collection, Gift of Robert M. Light
Accession Year
2000
Object Number
M24417.1-76
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
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Exhibition History

Crossroads: Drawing the Dutch Landscape, Harvard Art Museums, Cambridge, 05/21/2022 - 08/14/2022

Related Works

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu