Harvard Art Museums > BR49.711: Uprooted (The Painter of the Hole) Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Uprooted (The Painter of the Hole) (George Grosz) , BR49.711,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/225061. This object does not yet have a description. Identification and Creation Object Number BR49.711 People George Grosz, American (Berlin, Germany 1893 - 1959 Berlin, Germany) Title Uprooted (The Painter of the Hole) Classification Drawings Work Type drawing Date 1948 Culture American Persistent Link https://hvrd.art/o/225061 Physical Descriptions Medium Watercolor and selectively applied glaze on off-white modern laid paper Dimensions 65.1 x 48.2 cm (25 5/8 x 19 in.) image: 63 x 46.5 cm (24 13/16 x 18 5/16 in.) Inscriptions and Marks Signed: in graphite at l.r.: GROSZ inscription: l.l., graphite, English, in artist's hand: 4 Uprooted Acquisition and Rights Credit Line Harvard Art Museums/Busch-Reisinger Museum, Association Fund Copyright © Estate of George Grosz / Artists Rights Society (ARS), New York Accession Year 1949 Object Number BR49.711 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Charles L. Kuhn, German Expressionism and Abstract Art, Harvard University Press (Cambridge, MA, 1957), cat. no. 80, b/w ill. Peter-Klaus Schuster, George Grosz, Berlin-New York, exh. cat., Ars Nicolai (Berlin, Germany, 1994), p. 208, col. ill., p. 443, no. X. 137, col. ill. Brigit Möckel, George Grosz in Amerika 1932-1959, Peter Lang (Frankfurt am Main, Germany and New York, NY, 1997), p. 320, fig. 150 Lynette Roth, Inventur—Art in Germany, 1943–55, exh. cat., Harvard Art Museums (Cambridge, MA, 2018), pp. 79-83, fig. 1, ill. (color) Timothy Standring, [Review] "American Watercolors, 1880-1990: Into the Light", The Burlington Magazine (August 2023), 165, pp. 908-911, p. 910 Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), pp. 32, 34, 117, repr. as figs. 2-3 [details] on p. 34, pl. 48 on p. 117 George Grosz: The Stick Men, exh. cat., Buchhandlung Walther König (Cologne, 2023), p. 110, fig. 9, ill. (color) Exhibition History George Grosz 1893-1959, Akademie Der Künste, Berlin, 10/07/1962 - 12/30/1962 Deutsche Kunst des 20. Jahrhunderts aus dem Busch-Reisinger Museum, Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt, 10/23/1982 - 01/16/1983; Bauhaus-Archiv, Berlin 30, 02/10/1983 - 04/17/1983; Kunstmuseum Düsseldorf, Düsseldorf, 05/08/1983 - 06/26/1983 32Q: 1320 Social Realism, Harvard Art Museums, Cambridge, 11/16/2014 - 04/29/2015 American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023 The Grey Man Dances: Grosz and the Stick Men, The Heckscher Museum of Art, Huntington, 05/11/2024 - 09/01/2024 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu