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Identification and Creation

Object Number
BR55.49
People
Josef Hoffmann, Austrian (Pirnitz, Moravia (now Brtnice, Czech Republic) 1870 - 1956 Vienna, Austria)
Manufactured by Wiener Werkstätte (1903 - 1932)
Title
Lynx
Other Titles
Original Language Title: Luchs
Classification
Textile Arts
Work Type
textile
Date
1910-1912
Places
Creation Place: Europe, Austria, Vienna
Culture
Austrian
Persistent Link
https://hvrd.art/o/223838

Physical Descriptions

Medium
Ink on silk
Technique
Relief print
Dimensions
14.3 x 10.2 cm (5 5/8 x 4 in.)
Inscriptions and Marks
  • label: not attached, blue ink, printed, German: Entwurf: Prof. J. Hoffmann
    Marke: Luchs 2 S/1
    Breite: 90 Preis: 9.30

Provenance

Recorded Ownership History
Rudolph Rosenthal, 1914, Sold to Metropolitan Museum of Art, 1954.
The Metropolitan Museum of Art, Purchased from Rudolph Rosenthal, 1954, Gift to HUAM, 1955. Given to the BRM in exchange for 50 early 20th-century German textiles

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Gift of The Metropolitan Museum of Art
Accession Year
1955
Object Number
BR55.49
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Description
mounted with BR55.48 and BR55.52
black ink

Publication History

  • Angela Völker, Die Stoffe der Wiener Werkstätte 1910-1932, Christian Brandstätter Verlag (Vienna, Austria, 1990), no. 309

Exhibition History

  • From Werkbund to Bauhaus: Art and Design in Germany 1900-1934, Busch-Reisinger Museum, Cambridge, 05/12/1980 - 04/26/1980
  • “As though my body were naught but ciphers”: Crises of Representation in Fin-de-Siècle Vienna, Harvard University Art Museums, Busch-Reisinger Museum, 02/12/2005 - 06/12/2005
  • 32Q: 1440 Secessionism: Munich, Vienna, Berlin (Expressionism), Harvard Art Museums, Cambridge, 11/16/2014 - 05/06/2015

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu