Harvard Art Museums > BR55.65: Blackbird Textile Arts Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Blackbird (Koloman Moser)(Manufactured by Wiener Werkstätte) , BR55.65,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/223737. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number BR55.65 People Koloman Moser, Austrian (Vienna, Austria 1868 - 1918 Vienna, Austria) Manufactured by Wiener Werkstätte (1903 - 1932) Title Blackbird Other Titles Original Language Title: Amsel Classification Textile Arts Work Type textile Date 1910-1911 Places Creation Place: Europe, Austria, Vienna Culture Austrian Persistent Link https://hvrd.art/o/223737 Physical Descriptions Medium Ink on silk Technique Relief print Dimensions 13.9 x 10.2 cm (5 1/2 x 4 in.) Inscriptions and Marks label: not attached, blue ink, printed, German: Entwurf: K. Moser Marke: Amsel 4 S/1 Breite: 90 Preis: 8.70 Provenance Recorded Ownership History Rudolph Rosenthal, 1914, Sold to Metropolitan Museum of Art, 1954. The Metropolitan Museum of Art, Purchased from Rudolph Rosenthal, 1954, Gift to HUAM, 1955. Given to the BRM in exchange for 50 early 20th-century German textiles Acquisition and Rights Credit Line Harvard Art Museums/Busch-Reisinger Museum, Gift of The Metropolitan Museum of Art Accession Year 1955 Object Number BR55.65 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description mounted with BR55.63 and BR55.64 red ink Publication History Angela Völker, Die Stoffe der Wiener Werkstätte 1910-1932, Christian Brandstätter Verlag (Vienna, Austria, 1990), no. 722 Exhibition History “As though my body were naught but ciphers”: Crises of Representation in Fin-de-Siècle Vienna, Harvard University Art Museums, Busch-Reisinger Museum, 02/12/2005 - 06/12/2005 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu