- Identification and Creation
-
- Object Number
- BR62.101
- People
-
Manufactured by Meissen Porcelain Manufactory, German (founded 1710)
Designed by Johann Friedrich Eberlein, German (Dresden 1695 - 1749 Meissen)
- Title
- Plate with "Gotzkowsky" pattern
- Classification
- Vessels
- Work Type
- vessel
- Date
- 1745
- Places
- Creation Place: Europe, Germany, Meissen
- Culture
- German
- Persistent Link
- https://hvrd.art/o/222983
- Location
-
Level 1, Room 1510, Modern and Contemporary Art, Disrupt the View: Arlene Shechet at the Harvard Art Museums
View this object's location on our interactive map - Physical Descriptions
-
- Medium
- Hard-paste porcelain decorated with polychrome enamels and gold
- Technique
- Mold-made
- Dimensions
- diameter: 23.5 cm (9 1/4 in.)
- Inscriptions and Marks
-
- manufacturer's mark: bottomm, underglaze blue: [crossed swords]
- inscription: bottom, sticker, black ink : Meissen 1745-50 373.c
- maker's mark: bottom, incised: 16 [mark of thrower/modeler]
- manufacturer's mark: bottom, incised: [three parallel marks] [indicating that the piece had firing flaws (which may account for the substandard paint quality)]
- Provenance
- Dr. Hans Syz, Greens Farms, Connecticut, 1943, gift; to Busch-Reisinger Museum, 1962
- Acquisition and Rights
-
- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Gift of Dr. Hans Syz
- Accession Year
- 1962
- Object Number
- BR62.101
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Publication History
-
Francesca Casadio, Anikó Bezur, Kelly Domoney, Katherine Eremin, Lynn Lee, Jennifer Mass, Andrew Shortland, and Nicholas Zumbulyadis, "X-ray fluorescence applied to overglaze enamel decoration on eighteenth- and nineteenth century porcelain from central Europe", Studies in Conservation (London, 2012), 57, 61-72.
- Exhibition History
-
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu