BR72.4: Study for the "Beethoven Monument"
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- BR72.4
- People
-
Max Klinger, German (Leipzig, Germany 1857 - 1920 Grossjena, near Naumburg, Germany)
- Title
- Study for the "Beethoven Monument"
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1897
- Culture
- German
- Persistent Link
- https://hvrd.art/o/222745
Physical Descriptions
- Medium
- Black chalk and pink and white opaque watercolor on brown wove paper
- Dimensions
-
irregular: 65.1 x 50.1 cm (25 5/8 x 19 3/4 in.)
frame: 84.1 × 68.9 cm (33 1/8 × 27 1/8 in.) - Inscriptions and Marks
-
- Signed: lower right, black chalk: MK
- inscription: verso, lower left, graphite(?): Hans (or Klaus) Meyer
Provenance
- Recorded Ownership History
-
[Shepherd Gallery, New York], sold; to Busch-Reisinger Museum, 1972
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Purchase in honor of David Farmer
- Accession Year
- 1972
- Object Number
- BR72.4
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Peter Nisbet and Joseph Koerner, The Busch-Reisinger Museum, Harvard University Art Museums, ed. Peter Nisbet, Harvard University Art Museums and Scala Publishers Ltd. (Cambridge, MA and London, England, 2007), p. 205
- Sebastian Schütze, Friedrich Nietzsche and the Artists of the New Weimar, exh. cat., National Gallery of Canada (Ottawa, 2019), cat. no. 21, repr., p. 28
Exhibition History
- 19th-Century German Drawings and Watercolors, Busch-Reisinger Museum, Cambridge, 07/01/1981 - 08/31/1981
- From the Realists to the Expressionists: Works on Paper by Central European Artists from 1870 to 1918, Busch-Reisinger Museum, Cambridge, 03/14/1983 - 04/29/1983
- 19th-Century Drawings from the Permanent Collection, Busch-Reisinger Museum, Cambridge, 09/01/1983 - 10/09/1983
- Before Expressionism: Art in Germany circa 1903, Harvard University Art Museums, Cambridge, 10/24/2003 - 02/15/2004
- Flowers of Evil: Symbolist Drawings, 1870–1910, Harvard Art Museums, Cambridge, 05/21/2016 - 08/14/2016
- Friedrich Nietzsche and the Artists of the New Weimar, National Gallery of Canada, Ottawa, 04/18/2019 - 08/25/2019
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu