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Identification and Creation

Object Number
BR65.148
People
Ernst Barlach, German (Wedel, Germany 1870 - 1938 Rostock, Germany)
Title
The Seventh Day, from the portfolio "The Transformations of God"
Other Titles
Original Language Title: Der siebente Tag, aus "Die Wandlungen Gottes"
Classification
Prints
Work Type
print
Date
1920
Culture
German
Persistent Link
https://hvrd.art/o/222713

Physical Descriptions

Medium
Woodcut printed in black in on off-white Japanese paper
Technique
Woodcut
Dimensions
block: 25.8 x 35.7 cm (10 3/16 x 14 1/16 in.)
sheet: 32.4 x 44.9 cm (12 3/4 x 17 11/16 in.)
Inscriptions and Marks
  • Signed: in graphite at l.r.: EBarlach
  • inscription: l.r., graphite, handwritten: 24
  • inscription: on verso at l.r., graphite, handwritten: Naomi Jackson / Hamilton Canada
  • inscription: on verso at l.r., graphite, handwritten: 1 x 7)

State, Edition, Standard Reference Number

Standard Reference Number
Schult 171

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Gift of a friend of the Busch-Reisinger Museum
Accession Year
1965
Object Number
BR65.148
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Charles Werner Haxthausen, The Busch-Reisinger Museum, Harvard University, Abbeville Press (New York, NY, 1980), p. 139, repr.

Exhibition History

  • Prints and Drawings by Ernst Barlach, Busch-Reisinger Museum, Cambridge
  • Works by Ernst Barlach, Busch-Reisinger Museum, Cambridge, 02/01/1983 - 08/26/1983

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu