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Gallery Text

In his writings, the self-trained and self-identified outsider artist Jean Dubuffet attacked Western high culture as a corrupting force that had contributed to the devastating catastrophes of World War II. His response was to gravitate toward works made by children, criminals, and psychotics — those he considered uncontaminated by conventional standards of conduct. Structured from angular patches of canvas pasted on top of one another, the rudimentary body in The Thief appears scourged and bandaged, evoking the open wounds, burns, and scabs that contemporaneous viewers would have seen on soldiers returning home and in mass media images of wartime atrocities. The title may refer to the hardship and economic scarcity in France during reconstruction, which forced some to steal in order to survive.

Identification and Creation

Object Number
1981.194
People
Jean Dubuffet, French (LeHavre, France 1901 - 1985 Paris, France)
Title
The Thief
Other Titles
Original Language Title: Le Malandrin
Classification
Paintings
Work Type
painting
Date
1956
Culture
French
Persistent Link
https://hvrd.art/o/222186

Location

Location
Level 1, Room 1330, Modern and Contemporary Art, New Images
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Physical Descriptions

Medium
Mixed media collage on canvas
Technique
Collage
Dimensions
88.9 x 41.1 cm (35 x 16 3/16 in.)
Inscriptions and Marks
  • Signed: u.r.: J. Dubuffet 56
  • inscription: On verso of canvas: Le Malandrin // J. Dubuffet // aout 56

Provenance

Recorded Ownership History
Arthur Tooth, London, as of 1969. Mr. and Mrs. Stanley Marcus, Dallas, Texas, gift; to Fogg Art Museum, 1981.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Stanley Marcus
Copyright
© Artists Rights Society (ARS), New York / ADAGP, Paris
Accession Year
1981
Object Number
1981.194
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Max Loreau, ed., Catalogue des travaux de Jean Dubuffet, J.-J. Pauvert (Paris, France, 1964), vol. XII, p. 60, no. 61, ill. (black and white)

Exhibition History

  • Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 10 Rotation 3), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 11/12/2010 - 01/15/2011
  • 32Q: 1330 Mid-Century Figurative, Harvard Art Museums, Cambridge, 11/16/2014 - 04/14/2025; Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu