- Gallery Text
The Pomegranate presents a reconstituted image of the world based on the fragmented nature of visual experience. The typical trappings of a cafe table — bottles, a glass, a pipe, a cigarette, and fruit — are indicated by black outlines and touches of paint rather than being thoroughly described. The words “Cafe 3,” as if stenciled on a window, introduce a note of spatial depth, even as the other elements of the painting deny it. The purported subject of this painting, the pomegranate, resembles a dissected hieroglyph, with its recognizable crown-like calyx on one side and seeds scattered about; the viewer is reminded that Picasso selected a fruit that explodes into brilliant fragments when opened.
- Identification and Creation
Level 1, Room 1300, Modern and Contemporary Art, Early Modernism
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- Physical Descriptions
- Oil on canvas
- 21.5 x 34.6 cm (8 7/16 x 13 5/8 in.)
framed: 33.6 x 46.7 x 3.2 cm (13 1/4 x 18 3/8 x 1 1/4 in.)
- [Galerie Kahnweiler, Paris]. [Hôtel Drouot, Paris, sale 17-18 November 1921, Lot 170], sold. Private collection, (? - 1972) gift; to Fogg Art Museum.
NOTE: Provenance from "Picasso The Cubist Years 1907-1916"; catalogue compiled by Pierre Daix and Joan Rosselet; Little Brown & Company.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum,
- © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
- Accession Year
- Object Number
- Modern and Contemporary Art
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- Publication History
Pierre Daix, Picasso: The Cubist Years 1907-1916, Little, Brown & Company (1979), p. 272, fig. 432
Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, p. 66, fig. 58, color ill.
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1990), p. 105, no. 37
Dr. Tobias G. Natter, Die Galerie Miethke: Eine Kunsthandlung im Zentrum der Moderne, exh. cat., Jüdisches Museum der Stadt Wien (Vienna, Austria, 2003-2004), p. 174 (repr. in color)
Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 191, ill.
- Exhibition History
Ausstellung Pablo Picasso: Moderne Galerie Heinrich Thannhauser, München, Moderne Galerie Thannhauser, 02/01/1913 - 02/28/1913
Pablo Picasso, Galerie Miethke, 02/01/1914 - 03/31/1914
Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
Cubism: Explorations and Adaptations, Fogg Art Museum, Cambridge, 09/18/1982 - 10/26/1982
Masterpieces of European Art, Busch-Reisinger Museum, Cambridge, 06/22/1985 - 09/15/1985
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, Isetan Department Store, Tokyo, 03/01/1990 - 04/10/1990; Yamaguchi Prefectural Museum of Art, 04/14/1990 - 05/13/1990
Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
Re-View: S118 European & American Art since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 09/13/2008 - 04/09/2011
Re-View: European and American Art Since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/03/2011 - 06/01/2013
32Q: 1300 Early Modernism, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
- Subjects and Contexts
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