Harvard Art Museums > 1997.82: Pee Body Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Pee Body (Kiki Smith) , 1997.82,” Harvard Art Museums collections online, Nov 08, 2024, https://hvrd.art/o/220259. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Gallery Text In Pee Body, sculptor Kiki Smith explores the female body and its private performance of basic functions. Concerned with interior biological processes of waste and regeneration, Smith subverts the Western sculptural tradition of the eroticized female form. Here the un-idealized life-size body of a woman, molded in sweet-smelling beeswax, crouches on the gallery floor with sparkling yellow beads streaming out behind her. The earthy subject is tempered by its delicate materials — wax and glass. The bowed head and folded arms suggest an introspective and vulnerable state, as our voyeuristic encounter with the crouched woman quietly insists we consider what constitutes improper behavior in communal space: is it the figure who publicly displays a private act, or the viewer who violates that privacy? Identification and Creation Object Number 1997.82 People Kiki Smith, American (Nuremberg, Germany born 1954) Title Pee Body Classification Sculpture Work Type sculpture Date 1992 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/220259 Physical Descriptions Medium Wax and glass beads (23 strands of varying lengths, 1' to over 15' long) Dimensions 68.6 x 71.1 x 71.1 cm (27 x 28 x 28 in.) Provenance Recorded Ownership History Kiki Smith, created 1992; [Fawbush Gallery, New York, NY]sold;to private collector, Barbara Fish Lee, and Fogg Art Museum, 1997. Note: Barbara Lee made a gift of her portion in 2014. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Barbara Lee, Gift of Emily Rauh Pulitzer and Purchase in part from the Joseph A. Baird, Jr., Francis H. Burr Memorial and Director's Acquisition Funds Copyright © Kiki Smith Accession Year 1997 Object Number 1997.82 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Kiki Smith: Silent Work, exh. cat., Austrian Museum of Applied Arts (Vienna, Austria, 1992), pps. 52, 74-75, illustrated in color (incorrectly titled Lot's Wife) Barbara Pollack, "Leaping off the Pedestal", Art News (June 1998), p. 107, color repro. James Cuno, ed., A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums, Harvard University Art Museums (Cambridge, Mass., Spring 2000), pp. 95-96, ill. (color) David Bjelajac, American Art: A Cultural History, Prentice Hall, Inc. (2005), p. 458 Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 245, ill. Francesca Herndon-Consagra and Sydney Jane Norton, Dreamscapes, exh. cat., Pulitzer Arts Foundation (St. Louis, Missouri, 2011), pp. 9-10, Main Gallery Stairs section, three consecutive pages, ill. (color). Michelle White, Mona Hatoum: Terra Infirma, exh. cat., Menil Collection (Houston, TX, 2018), p. 36, ill. (color) Kiki Smith, Kiki Smith - Free Fall, Yeolhwadang (Seoul, 2022), Pg. 161, Ill. Color Exhibition History Dreamscapes, Pulitzer Arts Foundation, St. Louis, 02/11/2011 - 08/13/2011 32Q: 1120 Contemporary Art, Harvard Art Museums, Cambridge, 11/16/2014 - 10/13/2016 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu