Harvard Art Museums > 1995.321: Dillinger Multiples Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Dillinger (Joseph Beuys)(Published by Edition Staeck, Heidelberg) , 1995.321,” Harvard Art Museums collections online, Dec 26, 2024, https://hvrd.art/o/219183. This object does not yet have a description. Identification and Creation Object Number 1995.321 People Joseph Beuys, German (Krefeld, Germany 1921 - 1986 Düsseldorf, Germany) Published by Edition Staeck, Heidelberg Title Dillinger Classification Multiples Work Type multiple, videotape Date 1974 Culture German Persistent Link https://hvrd.art/o/219183 Physical Descriptions Medium Videocassette in cloth-covered box Dimensions 12.4 × 21.4 × 4 cm (4 7/8 × 8 7/16 × 1 9/16 in.) duration: 240 sec. (4 min.) State, Edition, Standard Reference Number Edition 33 / 40 plus XX, plus 20 Standard Reference Number Schellmann 140, p. 157 Acquisition and Rights Credit Line Harvard Art Museums/Busch-Reisinger Museum, The Willy and Charlotte Reber Collection, Louise Haskell Daly Fund Copyright © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Accession Year 1995 Object Number 1995.321 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Commentary Part of the edition included a poster (1995.323) Publication History Victoria Bunting, "Fat, Sulphur, Chocolate, and Blood: Storage Preservation and a Condition Survey for a Large Collection of Works by Joseph Beuys" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1996), Unpublished, passim Related Works 1995.323 Joseph Beuys Dillinger Multiples Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu