Harvard Art Museums > 1995.371: La zappa Multiples Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"La zappa (Joseph Beuys)(Published by Edizioni Lucrezia De Domizio Durini) , 1995.371,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/219137. This object does not yet have a description. Identification and Creation Object Number 1995.371 People Joseph Beuys, German (Krefeld, Germany 1921 - 1986 Düsseldorf, Germany) Published by Edizioni Lucrezia De Domizio Durini Title La zappa Classification Multiples Work Type multiple, sculpture Date 1978 Culture German Persistent Link https://hvrd.art/o/219137 Physical Descriptions Medium Wrought iron, olive wood, branded Dimensions 88 x 22 x 7 cm (34 5/8 x 8 11/16 x 2 3/4 in.) Inscriptions and Marks Signed: on handle State, Edition, Standard Reference Number Edition 24 / 35 Standard Reference Number Schellmann 248, p. 223 Acquisition and Rights Credit Line Harvard Art Museums/Busch-Reisinger Museum, The Willy and Charlotte Reber Collection, Louise Haskell Daly Fund Copyright © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Accession Year 1995 Object Number 1995.371 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Victoria Bunting, "Fat, Sulphur, Chocolate, and Blood: Storage Preservation and a Condition Survey for a Large Collection of Works by Joseph Beuys" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1996), Unpublished, passim Craig Uram, "Is That Supposed to Be There?: Examination and Survey of a Selection of Joseph Beuys' Multiples with Metal Components" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 2007), Unpublished, pp. 1-245 passim Exhibition History Another View of Joseph Beuys: Multiples from New England Collections, David Winton Bell Gallery, Providence, 01/28/2006 - 03/08/2006 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
