Photo © President and Fellows of Harvard College
Photo © President and Fellows of Harvard College
This object does not yet have a description.

Identification and Creation

Object Number
1995.775
People
Joseph Beuys, German (Krefeld, Germany 1921 - 1986 Düsseldorf, Germany)
Published by Edizioni Lucrezia De Domizio Durini
Title
A One Hour drama
Classification
Multiples
Work Type
videotape, multiple
Date
1984
Culture
German
Persistent Link
https://hvrd.art/o/219096

Physical Descriptions

Medium
Videotape and applied labels, inscribed in blue ink, in cardboard slipcase
Dimensions
9.7 × 16 × 2.7 cm (3 13/16 × 6 5/16 × 1 1/16 in.)
duration: 3600 sec. (60 min.)
Inscriptions and Marks
  • Signed: in blue ink on applied label at l.r.: Joseph Beuys
  • inscription: on applied label at u.r., blue ink, handwritten, English, in artist's hand: a one hour / drama
  • inscription: on applied label at l.c., blue ink, handwritten, in artist's hand: 1/10
  • stamp: on applied label along spine of video, black ink, Italian: EDIZIONI LUCREZIA DE DOMIZIO / PESCARA -- ITALIA
  • inscription: on applied label along spine of slipcase, black ballpoint ink, handwritten, Italian: F.I.U. / DIFESA DELLA NATURA

State, Edition, Standard Reference Number

Edition
1 / 10
Standard Reference Number
Schellmann 483, p. 364

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, The Willy and Charlotte Reber Collection, Richard Norton Memorial Fund, and Louise Haskell Daly Fund
Copyright
© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Accession Year
1995
Object Number
1995.775
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Description
Videotape is in Betamax format, and contains 60 minutes of footage.

Publication History

  • Victoria Bunting, "Fat, Sulphur, Chocolate, and Blood: Storage Preservation and a Condition Survey for a Large Collection of Works by Joseph Beuys" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1996), Unpublished, passim

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu