Harvard Art Museums > 1995.521: Blotting Paper (from Olivestone) Multiples Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Blotting Paper (from Olivestone) (Joseph Beuys)(Published by Edizioni Lucrezia De Domizio Durini) , 1995.521,” Harvard Art Museums collections online, Nov 05, 2024, https://hvrd.art/o/218636. This object does not yet have a description. Identification and Creation Object Number 1995.521 People Joseph Beuys, German (Krefeld, Germany 1921 - 1986 Düsseldorf, Germany) Published by Edizioni Lucrezia De Domizio Durini Title Blotting Paper (from Olivestone) Other Titles Original Language Title: Löschblatt (Olivestone) Classification Multiples Work Type multiple, object Date 1984 Culture German Persistent Link https://hvrd.art/o/218636 Physical Descriptions Medium Olive oil on blotting paper, printed Dimensions 29.5 x 8.5 cm (11 5/8 x 3 3/8 in.) State, Edition, Standard Reference Number Edition 228 / 250 Standard Reference Number Schellmann 505, p. 374 Acquisition and Rights Credit Line Harvard Art Museums/Busch-Reisinger Museum, The Willy and Charlotte Reber Collection, Louise Haskell Daly Fund Copyright © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Accession Year 1995 Object Number 1995.521 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Victoria Bunting, "Fat, Sulphur, Chocolate, and Blood: Storage Preservation and a Condition Survey for a Large Collection of Works by Joseph Beuys" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1996), Unpublished, passim Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu