Harvard Art Museums > 2009.202.1: View of a Palace (recto); Asavari Ragini (verso) Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"View of a Palace (recto); Asavari Ragini (verso) , 2009.202.1,” Harvard Art Museums collections online, Oct 31, 2024, https://hvrd.art/o/217755. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2009.202.1 Title View of a Palace (recto); Asavari Ragini (verso) Other Titles Former Title: Views of a Palace Classification Drawings Work Type drawing Date 18th century Places Creation Place: South Asia, India, Rajasthan, Kota Culture Indian Persistent Link https://hvrd.art/o/217755 Physical Descriptions Medium Ink and opaque watercolor on paper; Rajput Style, Kota School Dimensions 25.2 x 17.4 cm (9 15/16 x 6 7/8 in.) Provenance Recorded Ownership History Stuart Cary Welch (by 1969 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Accession Year 2009 Object Number 2009.202.1 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The recto side of the folio depicts a palace. In the bottom register is a group of women getting dressed after bathing in the river. Seated in the palace are a man and woman that also appear to be conversing. On the right is a group of four women at a shrine. On the verso side of the folio is a drawing depicting the Asavari Ragini, who is commonly represented by a female heroine (nayika) who charms snakes either through her dance or through her music. In this drawing, the female figure, bare chested and wearing a skirt made of leaves, sits on a rock. A cobra rests on her hand, its body draping down her thigh. Other snakes can be found on the scene, coiled around trees or slithering on the ground. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. Rajput Style, Kota School. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu