Harvard Art Museums > 2009.202.130: Drawing of a Pet Antelope Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Drawing of a Pet Antelope (Attributed to The Kota Master) , 2009.202.130,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/217589. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2009.202.130 People Attributed to The Kota Master, Indian Title Drawing of a Pet Antelope Classification Drawings Work Type drawing Date c. 1730 Places Creation Place: South Asia, India, Rajasthan, Kota Culture Indian Persistent Link https://hvrd.art/o/217589 Physical Descriptions Medium Ink and opaque watercolor on paper; Rajput Style, Kota School Dimensions 13.7 x 13.4 cm (5 3/8 x 5 1/4 in.) Provenance Recorded Ownership History Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Accession Year 2009 Object Number 2009.202.130 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The majority of the page depicts a large antelope that is executed in varying degrees of completion. It has a bridle which is attached to a chain, all of which are faintly-drawn. It has big ears, a small tail, and short, dark antlers. Its back left leg is lifted. Across the top of the page and the lower left corner are swirls and scribbles executed in a variety of colors. These bold lines signify the artist testing colors and strokes, as well as adjusting the amount of pigment held in the brushes. Rajput Style, Kota School. Publication History Stuart Cary Welch, Indian Drawings and Painted Sketches , exh. cat., Asia Society Museum (Washington, D.C, 1976), Page 98/Figure 51 Stuart Cary Welch and Kim Masteller, From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart Cary Welch Collection, exh. cat., Yale University Press (New Haven, 2004), pp.156-157, no. 51 Exhibition History From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from SCWelch, Harvard University Art Museums, Fogg Art Museum, Cambridge, 03/19/2005 - 06/02/2005 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
