Harvard Art Museums > 1999.285: Young Durjan Sal Slays a Lion Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Young Durjan Sal Slays a Lion (Attributed to The Kota Master) , 1999.285,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/217585. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1999.285 People Attributed to The Kota Master, Indian Title Young Durjan Sal Slays a Lion Classification Drawings Work Type drawing Date mid-18th century Places Creation Place: South Asia, India, Rajasthan, Kota Culture Indian Persistent Link https://hvrd.art/o/217585 Physical Descriptions Medium Black ink and opaque watercolor over charcoal underdrawing on beige laid paper; Rajput Style Dimensions painting proper: 49.5 × 54 cm (19 1/2 × 21 1/4 in.) framed: 70.2 × 73.7 × 2.5 cm (27 5/8 × 29 × 1 in.) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of Stuart Cary Welch, Jr. Accession Year 1999 Object Number 1999.285 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description This drawing depicts a dense jungle, in which young Durjan Sal of Kota (r. 1723-1756) on the left, fires an arrow into the side of a large male lion. In the middle of a page, another large lion approaches. Both animals show their teeth and red tongues. Their large size emphasizes Durjan Sal’s hunting skills, which he was famous for. Rajput Style. Publication History Stuart Cary Welch, Indian Drawings and Painted Sketches , exh. cat., Asia Society Museum (Washington, D.C, 1976), Page 100-101/Figure 53 Howard Hodgkin and Terence McInerney, Indian Drawing : An Exhibition Chosen by Howard Hodgkin, exh. cat., Arts Council of Great Britain, London (London, England, 1983), fig 31 Stuart Cary Welch, Gods, Kings, and Tigers: The Art of Kotah, exh. cat., ed. Stuart Cary Welch, Prestel (New York, NY, 1997), Page 23/Figure 10-11 Stuart Cary Welch and Kim Masteller, From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart Cary Welch Collection, exh. cat., Yale University Press (New Haven, 2004), pp. 144-145, no. 46 Harvard University Art Museums, Harvard University Art Museums Annual Report 2004-2005 (Cambridge, MA, 2005), p. 42 Exhibition History Indian and Persian Drawings, Harvard University Art Museums, Cambridge, 04/25/1987 - 06/21/1987 Precisely to the Point, Daggers and Drawings from Persia and India: 15th-19th century, Harvard University Art Museums, Cambridge, 05/30/1992 - 07/26/1992 Linear Graces ... and Disgraces: Part II, Drawings from the Courts of Persia, Turkey, and India, 15th-19th Centuries, Harvard University Art Museums, Cambridge, 12/26/1994 - 03/05/1995 From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from SCWelch, Harvard University Art Museums, Fogg Art Museum, Cambridge, 03/19/2005 - 06/02/2005 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu