Harvard Art Museums > 2009.202.189: Falconer Hunting (pounce) Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Falconer Hunting (pounce) , 2009.202.189,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/217493. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2009.202.189 Title Falconer Hunting (pounce) Classification Drawings Work Type drawing Date c. 1720-1730 Places Creation Place: South Asia, India, Rajasthan, Kota Culture Indian Persistent Link https://hvrd.art/o/217493 Physical Descriptions Medium Black and red ink on off-white laid paper; pricked and pounced with black chalk Dimensions 17.5 x 11.1 cm (6 7/8 x 4 3/8 in.) Provenance Recorded Ownership History Stuart Cary Welch (by 1976 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1976. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Accession Year 2009 Object Number 2009.202.189 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description At the bottom of the page is a falconer mounted on a caparisoned horse. He wears a turban, an earring, a long robe (jama), a waist sash (patka), and a falconer’s glove on his right hand. Tucked into his waist sash is a small dagger. The falconer holds the reins in his left hand, while his right hand is held upward. The falconer looks up watching his bird of prey attack a crane in midair. Small holes can be found outlining some of the figures. The holes represent a transferring technique known as pounce. Powder, such as graphite or chalk, is passed through the holes onto a clean working surface to give an exact copy of the image that is to be copied. Rajput style, Kota school. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu