Harvard Art Museums > 2011.97: Lakshmana Removes a Thorn from Rama's Foot Albums Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Lakshmana Removes a Thorn from Rama's Foot , 2011.97,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/217354. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2011.97 Title Lakshmana Removes a Thorn from Rama's Foot Classification Albums Work Type album folio Date c. 1700-1710 Places Creation Place: South Asia, India, Himachal Pradesh Culture Indian Persistent Link https://hvrd.art/o/217354 Physical Descriptions Medium Opaque watercolor and gold on paper; Pahari Style, Basohli School Dimensions 17.5 x 26 cm (6 7/8 x 10 1/4 in.) Provenance Recorded Ownership History Philip Hofer [mid 20th century]. Stuart Cary Welch, Jr. Collection, New Hampshire (by 1969-2011), sold; [Sotheby’s, London, 5/31/2011, lot 54]; to Harvard Art Museums, 2011. Notes: This painting came to Harvard Art Museums on 1 April 1969 as temporary loan TL17444.214, and in 1983 was designated as long term loan, 440.1983. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Richard Norton Memorial Fund Accession Year 2011 Object Number 2011.97 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The painting depicts Rama, the seventh avatar of the Hindu God Vishnu, who is worshipped as a god in his own right, supported by two of his warrior companions, while a thorn removed from his foot by his brother, Lakshmana. On the far right is the bear-king, Jambavan, who gestures in conversation with one hand while holding a quiver in the crook of his arm. On the far left is the monkey-god Hanuman, who carries his iconic mace in one hand, while resting the other on top of a black shield. The painting represents a scene from the Sanskrit epic, the Ramayana (Story of Rama). Pahari style, Basohli school. Publication History Stuart Cary Welch and Mark Zebrowski, A Flower from Every Meadow: Indian Paintings from American Collections, exh. cat., New York Graphic SocietyNew York Graphic Society (New York, NY, 1973), p. 70, fig. 37 Exhibition History India: From Tribe to Court, Fogg Art Museum, Cambridge, 07/23/1981 - 07/23/1981 Out of the Hills: Miniature Painting from Himalayan India, Harvard University Art Museums, Fogg Art Museum, Cambridge, 05/26/1984 - 07/08/1984 Hot as Curry - Subtle as Moonlight: Masterpieces of Rajput Painting, Harvard University Art Museums, Cambridge, 11/02/1991 - 12/20/1991 Recent Acquisitions, Part II: Building the Collection, Harvard Art Museums, Cambridge, 06/19/2012 - 09/29/2012 The Rama Epic: Hero, Heroine, Ally, Foe, Asian Art Museum of San Francisco, San Francisco, 10/21/2016 - 01/15/2017 Related Articles Fellowship, in Image and in Practice July 8, 2020 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu