Harvard Art Museums > 2009.202.239: Portrait of Rana Amar Singh II at Worship Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Portrait of Rana Amar Singh II at Worship , 2009.202.239,” Harvard Art Museums collections online, Nov 22, 2024, https://hvrd.art/o/217221. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2009.202.239 Title Portrait of Rana Amar Singh II at Worship Classification Paintings Work Type painting Date c. 1698 Places Creation Place: South Asia, India, Rajasthan, Mewar Culture Indian Persistent Link https://hvrd.art/o/217221 Physical Descriptions Medium Black ink, opaque watercolor and gold on beige paper; Rajput Style, Mewar School Dimensions 54 x 40.6 cm (21 1/4 x 16 in.) Provenance Recorded Ownership History Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch Accession Year 2009 Object Number 2009.202.239 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The drawing depicts Rana Amar Singh II (r. 1698-1710) of Mewar sitting cross-legged and in profile. On his forehead is an ochre-colored tilaka, a mark worn on a daily basis or especially for special religious occasions and rites. A green cloth draped over this right hand and the saffron-colored scarf draped over his bare-chest implies he is in the process of worship. He is adorned with bracelets, rings, an earring, and several necklaces, made of pearls and precious stones, as well as a large pendants. Rajput style, Mewar school. Publication History Stuart Cary Welch, Indian Drawings and Painted Sketches , exh. cat., Asia Society Museum (Washington, D.C, 1976), pp. 80-81, fig. 39 Howard Hodgkin and Terence McInerney, Indian Drawing : An Exhibition Chosen by Howard Hodgkin, exh. cat., Arts Council of Great Britain, London (London, England, 1983), fig. 10 Naveen Patnaik and Stuart Cary Welch, A Second Paradise: Indian Courtly Life, 1590-1947, Doubleday & Co. (Garden City, NY, 1985), p. 87, fig. 24 Stuart Cary Welch and Kim Masteller, From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart Cary Welch Collection, exh. cat., Yale University Press (New Haven, 2004), pp.175-177, no. 61; back cover Molly Aitken, The Intelligence of Tradition in Rajput Court Painting, Yale University Press (New Haven, CT: Yale University Press, 2010), p. 58, fig. 2.1; pp. 103 - 109 Exhibition History Indian and Persian Drawings, Harvard University Art Museums, Cambridge, 04/25/1987 - 06/21/1987 Infancy to Old Age: A Gallery of Indians, Harvard University Art Museums, Cambridge, 02/27/1993 - 04/25/1993 From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from SCWelch, Harvard University Art Museums, Fogg Art Museum, Cambridge, 03/19/2005 - 06/02/2005 32Q: 2590 South and Southeast Asia, Harvard Art Museums, Cambridge, 11/02/2016 - 04/26/2017 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu