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Identification and Creation

Object Number
2009.202.236
Title
Vishnu Saves Gajendra, the Elephant King, from the Crocodile Demon (painting, recto), illustration of the Gajendra Moksha (The Liberation of the Elephant King Gajendra) chapter from the Bhagavata Purana
Other Titles
Alternate Title: Vishnu Saves the King of the Elephants
Classification
Paintings
Work Type
painting
Date
c. 1640
Places
Creation Place: South Asia, India, Rajasthan
Culture
Indian
Persistent Link
https://hvrd.art/o/217220

Physical Descriptions

Medium
Ink, opaque watercolor and gold on paper
Dimensions
30.5 x 20.8 cm (12 x 8 3/16 in.)

Provenance

Recorded Ownership History
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum.

Notes:
Object was part of long-term loan to Museum in 1983.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch
Accession Year
2009
Object Number
2009.202.236
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
The painting depicts Vishnu slaying a monster to free the embattled King of the Elephants. Vishnu came down to earth to protect Gajendra, the elephant king, from the clutches of a crocodile, Makara or Huhu. Here the blue-skinned Hindu god, Vishnu, is seen flying on his vehicle, Garuda, the eagle. His discus weapon, the Sudarshana chakra, has slain the crocodile who had captured the Elephant King, Gajendra. Gajendra breaks from the shackles of the crocodile demon and offers Vishnu a lotus as his homage. In the upper register, we see multiple Vishnu seated in small vignettes alongside birds like the peacock. With Vishnu's help, Gajendra achieved moksha or liberation from the cycle of birth and death.

This story appears in the eighth book of the Bhagavata Purana, which contains stories related to the various avatars of Vishnu (one of the three principal deities of Hinduism). Rajput, Rajasthani.

Publication History

  • Stuart Cary Welch and Milo Cleveland Beach, Gods, Thrones, and Peacocks Northern Indian Painting from Two Traditions, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1965), page 63/figure 13

Exhibition History

  • A Decade of Collecting: Recent Acquisitions of Islamic and Later Indian Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 06/08/2000 - 09/03/2000

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu