2009.202.215: Maharaja Ranjit Singh's Horse with a One-Eyed Groom
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- 2009.202.215
- Title
- Maharaja Ranjit Singh's Horse with a One-Eyed Groom
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1840
- Places
- Creation Place: South Asia, Pakistan, Punjab, Lahore
- Culture
- Indian
- Persistent Link
- https://hvrd.art/o/217175
Physical Descriptions
- Medium
- Opaque watercolor, gold and metallic gray pigment
- Dimensions
- 18 x 22.6 cm (7 1/16 x 8 7/8 in.)
Provenance
- Recorded Ownership History
-
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum.
Notes:
Object was part of long-term loan to Museum in 1983.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch
- Accession Year
- 2009
- Object Number
- 2009.202.215
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- The painting depicts the horse of Maharaja Ranjit Singh (r. 1801-1839), the first maharaja of the Sikhs of the Punjab. The caparisoned horse is white, gray, and dappled. A groomsman stands in front of the horse, holding onto the blue reins with both hands. He wears a long, white tunic and an orange turban and waist sash. He has a small mustache and appears to be missing his left eye. Ranjit Singh himself was also blind in his left eye since childhood as a result of smallpox. This work was executed on paper made in England and bearing a watermark of 1839, the year of Ranjit Singh’s death.
Publication History
- Stuart Cary Welch, Room for Wonder : Indian Painting During the British Period, 1760-1880, exh. cat., American Federation of Arts (New York, NY, 1978), Page 122-123/Figure 54
- Samina Quraeshi, Lahore: The City Within, Concept Media Pte Ltd (Singapore, 1988), page 107
Exhibition History
- Poignant, Picturesque, and Berserk Northern Indian Paintings and Objects of the Seventeenth through Nineteenth Centuries, Harvard University Art Museums, Cambridge, 08/08/1992 - 10/04/1992
- The Way I Remember Them: Paintings by Nusra Latif Qureshi, Smith College Museum of Art, Northampton, 02/20/2004 - 04/25/2004
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu