1999.291: Tibetan Yak with Vignettes of Animals
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1999.291
- People
-
Attributed to Abu’l Hasan, Indian
- Title
- Tibetan Yak with Vignettes of Animals
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1610
- Places
- Creation Place: South Asia, India
- Period
- Mughal period
- Culture
- Mughal
- Persistent Link
- https://hvrd.art/o/217079
Physical Descriptions
- Medium
- Opaque watercolor and gold on paper; Mughal Style
- Dimensions
- 8.2 x 16 cm (3 1/4 x 6 5/16 in.)
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Stuart Cary Welch, Jr.
- Accession Year
- 1999
- Object Number
- 1999.291
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- A large Tibetan yak stands in profile and faces to the left. Based on the small horns that curve upright, the yak is female. It wears a bright red muzzle. The back right leg is unfinished. The painting is pasted onto a larger sheet of paper. In the corners of this larger sheet of paper are small vignettes that feature different animals among flowers and against a gold background are pasted onto the painting. Clockwise from the top left is: a ram; two long-haired goats; a nilgai, an antelope indigenous to the Indian subcontinent, and a ram; and a type of goat or ram with long upright horns. Mughal Style.
Publication History
- Stuart Cary Welch, "Mughal and Deccani Miniature Paintings From a Private Collection", Ars Orientalis; The Arts of Islam and the East, Freer Gallery of Art / Smithsonian Institution (Washington, D.C., 1963), Vol. 5, 221 - 233, fig. 15, pl. 9
- Stuart Cary Welch and Mark Zebrowski, A Flower from Every Meadow: Indian Paintings from American Collections, exh. cat., New York Graphic SocietyNew York Graphic Society (New York, NY, 1973), Page 102/Figure 61
- Milo Cleveland Beach and Stuart Cary Welch, The Grand Mogul: Imperial Painting in India, 1600-1660, exh. cat., Sterling and Francine Clark Art Institute (Williamstown, MA, 1978), Page 171-172/Figure 69
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu