Harvard Art Museums > 1931.18: Dipak Raga, illustration from a Ragamala (Garland of Melodies) Series Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Dipak Raga, illustration from a Ragamala (Garland of Melodies) Series , 1931.18,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/216891. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1931.18 Title Dipak Raga, illustration from a Ragamala (Garland of Melodies) Series Classification Paintings Work Type painting Date c. 1680 Places Creation Place: South Asia, India, Rajasthan, Mewar Culture Indian Persistent Link https://hvrd.art/o/216891 Physical Descriptions Medium Opaque watercolor and gold on paper; Rajput Style, Mewar School Dimensions sight: 38 x 24.1 cm (14 15/16 x 9 1/2 in.) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, William M. Prichard Fund Accession Year 1931 Object Number 1931.18 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The Dipak Raga is intended to evoke the mood of intimacy between two lovers. In this painting, the encounter takes place at a palace. A king sits under a roofed terrace in front of his consort who offers him a gold dish of food. His status is represented by his rich dress, as well as the attendant behind him who holds up a peacock feather fan, a symbol of royalty. A group of musicians sits at the far left. According to legend, one of the Mughal emperor Akbar’s (r. 1556-1605) musicians started a palace fire after being forced to perform this raga against his better judgment. Thus, depictions of this raga typically incorporate some sort of fire imagery. Here, a single candelabrum stands behind the consort. Rajput Style, Mewar School. Exhibition History The Music Room, Harvard University Art Museums, Cambridge, 09/22/1984 - 11/11/1984 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu